Union
Nickname	Gridiron
First	November 6, 1869, Rutgers vs. Princeton
Contact	Full contact
Team	11 at a time
Category	Outdoor
Ball	Football
Olympic	No }}

American football is a sport played between two teams of eleven with the objective of scoring points by advancing the ball into the opposing team's end zone. Known in the United States as football, it may also be referred to informally as gridiron. The ball can be advanced by running with it or throwing it to a teammate. Points can be scored by carrying the ball over the opponent's goal line, catching a pass thrown over that goal line, kicking the ball through the opponent's goal posts or tackling an opposing ball carrier in his own end zone.

In the United States, the major forms are high school football, college football and professional football. Each of these three are played under slightly different rules. High school football is governed by the National Federation of State High School Associations, while college football by the National Collegiate Athletic Association and National Association of Intercollegiate Athletics. The major league for professional football is the National Football League (NFL). Other minor professional leagues also exist in the U.S., and may also have slightly different rules from those of the NFL.

The sport is also played in Europe, Japan, Mexico, and several other countries. The International Federation of American Football acts as an international governing body for the sport, but the organization has little standing in the United States.

American football is closely related to Canadian football but with some differences in rules and the field. Both sports can be traced to early versions of association football and rugby football.

History

The history of American football can be traced to early versions of rugby football and association football. Both games have their origins in varieties of football played in the United Kingdom in the mid-19th century, in which a ball is kicked at a goal and/or run over a line. Many games known as "football" were being played at colleges and universities in the United States in the first half of the 19th century.

American football resulted from several major divergences from rugby football, most notably the rule changes instituted by Walter Camp, considered the "Father of American Football". Among these important changes were the introduction of the line of scrimmage and of down-and-distance rules. In the late 19th and early 20th centuries, game play developments by college coaches such as Eddie Cochems, Amos Alonzo Stagg, Knute Rockne, and Glenn "Pop" Warner helped take advantage of the newly introduced forward pass.

The popularity of collegiate football grew as it became the dominant version of the sport for the first half of the twentieth century. Bowl games, a college football tradition, attracted a national audience for collegiate teams. Bolstered by fierce rivalries, college football still holds widespread appeal in the US.

The origin of professional football can be traced back to 1892, with William "Pudge" Heffelfinger's $500 contract to play in a game for the Allegheny Athletic Association against the Pittsburgh Athletic Club. The first Professional "league" was the Ohio League, formed in 1903, and the first Professional Football championship game was between the Buffalo Prospects and the Canton Bulldogs in 1919. In 1920, the American Professional Football Association was formed. The first game was played in Dayton, Ohio on October 3, 1920 with the host Triangles defeating the Columbus Panhandles 14–0. The league changed its name to the National Football League (NFL) two years later, and eventually became the major league of American football. Initially a sport of Midwestern industrial towns in the United States, professional football eventually became a national phenomenon. Football's increasing popularity is usually traced to the 1958 NFL Championship Game, a contest that has been dubbed the "Greatest Game Ever Played". A rival league to the NFL, the American Football League (AFL), began play in 1960; the pressure it put on the senior league led to a merger between the two leagues and the creation of the Super Bowl, which has become the most watched television event in the United States on an annual basis.

Rules

Field and players

American football is played on a field . The longer boundary lines are ''sidelines'', while the shorter boundary lines are ''end lines''. Sidelines and end lines are out of bounds. Near each end of the field is a ''goal line''; they are apart. A scoring area called an ''end zone'' extends beyond each goal line to each end line. The end zone includes the goal line but not the end line. While the playing field is effectively flat, it is common for a field to be built with a slight crown—with the middle of the field higher than the sides—to allow water to drain from the field.

''Yard lines'' cross the field every , and are numbered every 10 yards from each goal line to the 50-yard line, or midfield (similar to a typical rugby league field). Two rows of short lines, known as inbounds lines or ''hash marks'', run at 1-yard (91.4 cm) intervals perpendicular to the sidelines near the middle of the field. All plays start with the ball on or between the hash marks. Because of the arrangement of the lines, the field is occasionally referred to as a ''gridiron'' in a reference to the cooking grill with a similar pattern of lines.

At the back of each end zone are two ''goalposts'' (also called ''uprights'') connected by a crossbar from the ground. For high skill levels, the posts are apart. For lower skill levels, these are widened to .

Each team has 11 players on the field at a time. Usually there are many more players off the field (an NFL team has a limit of 53 players on their roster, all of which can be dressed for a game). However, teams may substitute for any or all of their players during the breaks between plays. As a result, players have very specialized roles and are divided into three separate units: the offense, the defense and the special teams. It is rare for all team members to participate in a given game, as some roles have little utility beyond that of an injury substitute.

Start of halves

Similarly to association football, the game begins with a coin toss to determine which team will kick off to begin the game and which goal each team will defend. Unlike association football though, the options are presented again to start the second half; the choices for the first half do not automatically determine the start of the second half. The referee conducts the coin toss with the captains (or sometimes coaches) of the opposing teams. The team that wins the coin toss has three options: # They may choose whether to kick or receive the opening kickoff. # They may choose which goal to defend. # They may choose to ''defer'' the first choice to the other team and have first choice to start the second half. Whatever the first team chooses, the second team has the option on the other choice (for example, if the first team elects to receive at the start of the game, the second team can decide which goal to defend).

At the start of the second half, the options to kick, receive, or choose a goal to defend are presented to the captains again. The team which did not choose first to start the first half (or which deferred its privilege to choose first) now gets first choice of options.

Game duration

A standard football game consists of four 15-minute quarters (12-minute quarters in high-school football and often shorter at lower levels), with a 12-minute half-time intermission after the second quarter. At all levels, a down (play) that begins before time expires is allowed to continue until its completion, even after the clock reaches zero. The clock is also stopped after certain plays, therefore, a game can last considerably longer (often more than three hours in real time), and if a game is broadcast on television, TV timeouts are taken at certain intervals of the game to broadcast commercials outside of game action. If an NFL game is tied after four quarters, the teams play an additional period lasting up to 15 minutes. In a regular season NFL overtime game, the first team that scores wins, even if the other team does not get a possession; this is referred to as sudden death. However, in a post-season NFL game during the playoffs, if the first team with possession scores only a field goal, the other team is allowed the opportunity to match or better this score. This rule only affects playoff games in overtime in which the first team with possession scores a field goal: if the first team with possession scores a touchdown, the sudden death rules take effect. In a regular-season NFL game, if neither team scores in overtime, the game is a tie. In an NFL playoff game, additional overtime periods are played, as needed, to determine a winner. College overtime rules are more complicated.

Advancing the ball

Advancing the ball in American football resembles the ''six-tackle rule'' and the ''play-the-ball'' in rugby league. The team that takes possession of the ball (the offense) has four attempts, called downs, in which to advance the ball at least toward their opponent's (the defense's) end zone. When the offense succeeds in gaining at least 10 yards, it gets a first down, meaning the team starts a new set of four downs to gain yet another 10 yards or to score. If the offense fails to gain a first down (10 yards) after four downs, the other team gets possession of the ball at the point where the fourth down ended, beginning with their first down to advance the ball in the opposite direction.

Except at the beginning of halves and after scores, the ball is always put into play by a snap. Offensive players line up facing defensive players at the line of scrimmage (the position on the field where the play begins). One offensive player, the center, then passes (or "snaps") the ball backwards between his legs to a teammate behind him, usually the quarterback.

Players can then advance the ball in two ways: # By running with the ball, also known as rushing. # By throwing the ball to a teammate, known as a pass or as passing the football. If the pass is thrown down-field, it is known as a forward pass. The forward pass is a key factor distinguishing American and Canadian football from other football sports. The offense can throw the ball forward only once during a down and only from behind the line of scrimmage. However, the ball can be handed-off to another player or thrown, pitched, or tossed sideways or backwards (a lateral pass) at any time.

A down ends, and the ball becomes dead, after any of the following:

The player with the ball is forced to the ground (a tackle) or has his forward progress halted by members of the other team (as determined by an official).

A forward pass flies beyond the dimensions of the field (out of bounds) or touches the ground before it is caught. This is known as an incomplete pass. The ball is returned to the most recent line of scrimmage for the next down.

The ball or the player with the ball goes out of bounds.

A team scores.

Officials blow a whistle to notify players that the down is over.

Before each down, each team chooses a play, or coordinated movements and actions, that the players should follow on a down. Sometimes, downs themselves are referred to as "plays."

Change of possession

The offense maintains possession of the ball unless one of the following things occurs:

The team fails to get a first down— i.e., in four downs they fail to move the ball past a line 10 yards ahead of where they got their last first down. The defensive team takes over the ball at the spot where the 4th-down play ends. A change of possession in this manner is commonly called a turnover on downs.

The offense scores a touchdown or field goal. The team that scored then kicks the ball to the other team in a special play called a kickoff.

The offense punts the ball to the defense. A punt is a kick in which a player drops the ball and kicks it before it hits the ground. Punts are nearly always made on fourth down, when the offensive team does not want to risk giving up the ball to the other team at its current spot on the field (through a failed attempt to make a first down) and feels it is too far from the other team's goal post to attempt a field goal.

A defensive player catches a forward pass. This is called an interception, and the player who makes the interception can run with the ball until he is tackled, forced out of bounds, or scores.

An offensive player drops the ball (a fumble) and a defensive player picks it up. As with interceptions, a player recovering a fumble can run with the ball until tackled, forced out of bounds, or scoring. Passes that are thrown either backwards or parallel with the line of scrimmage (lateral passes) that are not caught do not cause the down to end as incomplete forward passes do; instead the ball is still live as if it had been fumbled. Lost fumbles and interceptions are together known as turnovers.

The offensive team misses a field goal attempt. The defensive team gets the ball at the spot where the previous play began (or, in the NFL, at the spot of the kick). If the unsuccessful kick was attempted from within of the end zone, the other team gets the ball at its own 20 yard line (that is, 20 yards from the end zone). If a field goal is missed or blocked and the ball remains in the field of play, a defensive player may pick up the ball and attempt to advance it.

While in his own end zone, an offensive ball carrier is tackled, forced out of bounds, loses the ball out of bounds, or the offense commits certain fouls in the end zone. This fairly rare occurrence is called a safety.

An offensive ball carrier fumbles the ball forward into the opposing end zone, and then the ball goes out of bounds. This extremely rare occurrence leads to a touchback, with the ball going over to the opposing team at their 20 yard line (Note that touchbacks during non-offensive special teams plays, such as punts and kickoffs, are quite common).

Scoring

A team scores points by the following plays: A touchdown (TD) is worth 6 points. It is scored when a player runs the ball into or catches a pass in his opponent's end zone. A touchdown is analogous to a try in rugby. Unlike rugby, a player does not have to touch the ball to the ground to score; a touchdown is scored any time a player has possession of the ball while any part of the ball is beyond the vertical plane created by the leading edge of the opponent's goal line stripe (the stripe itself is a part of the end zone).

After a touchdown, the scoring team attempts a try (which is also analogous to the conversion in rugby). The ball is placed at the other team's line (the line in the NFL). The team can attempt to kick it through the goalposts (over the crossbar and between the uprights) in the manner of a field goal for 1 point (an extra point or point-after touchdown (PAT)), or run or pass it into the end zone in the manner of a touchdown for 2 points (a two-point conversion). In college football, if the defense intercepts or recovers a fumble during a one or two point conversion attempt and returns it to the opposing end zone, the defensive team is awarded the two points.

A field goal (FG) is worth 3 points, and it is scored by kicking the ball through the goalposts defended by the opposition. Field goals may be place kicked (kicked when the ball is held vertically against the ground by a teammate) or drop kicked (extremely uncommon in the modern game due to the better accuracy of place kicks, with only two successful drop kicks in sixty-plus years in the NFL). A field goal is usually attempted on fourth down instead of a punt when the ball is close enough to the opponent's goalposts, or, when there is little or no time left to otherwise score. A safety, worth 2 points, is scored by the opposing team when the team in possession at the end of a down is responsible for the ball becoming dead behind its own goal line. For instance, a safety is scored by the defense if an offensive player is tackled, goes out of bounds, or fumbles the ball out of bounds in his own end zone. Safeties are relatively rare. Note that, though even more rare, the team initially on offense during a down can score a safety if a player of the original defense gains possession of the ball in front of his own goal line and then carries the ball or fumbles it into his own end zone where it becomes dead. However, if the ball becomes dead behind the goal line of the team in possession and its opponent is responsible for the ball being there (for instance, if the defense intercepts a forward pass in its own end zone and the ball becomes dead before the ball is advanced out of the end zone) it is a touchback: no points are scored and the team last in possession keeps possession with a first down at its own 20 yard line. In amateur football, in the extremely rare instance that a safety is scored on a try, it is worth only 1 point.

Kickoffs and free kicks

Each half begins with a kickoff. Teams also kick off after scoring touchdowns and field goals. The ball is kicked using a kicking tee from the team's own line in the NFL and college football (as of the 2007 season). The other team's kick returner tries to catch the ball and advance it as far as possible. Where he is stopped is the point where the offense will begin its drive, or series of offensive plays. If the kick returner catches the ball in his own end zone, he can either run with the ball, or elect for a touchback by kneeling in the end zone, in which case the receiving team then starts its offensive drive from its own 20 yard line. A touchback also occurs when the kick goes out-of-bounds in the end zone. (Punts and turnovers in the end zone can also result in a touchback). A kickoff that goes out-of-bounds anywhere other than the end zone before being touched by the receiving team is a foul, and the ball will be placed within the hash marks of the yard line where it went out of bounds, or from the kickoff spot, depending on which is more advantageous to the receiving team. Unlike with punts, once a kickoff goes 10 yards and the ball has hit the ground, it can be recovered by the kicking team. A team, especially one who is losing, can try to take advantage of this by attempting an onside kick.

After safeties, the team that gave up the points must free kick the ball to the other team from its own 20 yard line.

Penalties

Fouls (a type of rule violation) are punished with penalties against the offending team. Most penalties result in moving the football towards the offending team's end zone. If the penalty would move the ball more than half the distance towards the offender's end zone, the penalty becomes half the distance to the goal instead of its normal value.

Most penalties result in replaying the down. Some defensive penalties give the offense an automatic first down. Conversely, some offensive penalties result in loss of a down (loss of the right to repeat the down). If a penalty gives the offensive team enough yardage to gain a first down, they get a first down, as usual. The only penalty that results in points is if a team on offense commits a certain fouls, such as holding, in its own end zone, which results in a safety.

If a foul occurs during a down (after the play has begun), the down is allowed to continue and an official throws a yellow penalty flag near the spot of the foul. When the down ends, the team that did not commit the foul has the option of accepting the penalty, or declining the penalty and accepting the result of the down.

Variations

Limited contact

* touch football. A play ends when a defender touches the ball carrier (sometimes with two hands).

* flag football. A play ends when a defender removes a designated token ("flag") worn by the ball carrier.

* Wrap. A play ends when a defender wraps his arms round the ball carrier.

Fewer players

*nine-man football

*eight-man football

*six-man football

Smaller field

: The Arena Football League is a league that plays eight-man football, but also plays indoors and on a much smaller playing surface with rule changes to encourage a much more offensive game.

Catch and Run

: In this game, the children split into two teams and line up at opposite sides of the playing field. One side throws the ball to the other side. If the opposing team catches the ball, that player tries to run to the throwing teams touchdown without being tagged/tackled. If no one catches the ball or if the player is tagged/tackled, then that team has to throw the ball to the opposing team. This repeats until time runs out or the players decide to quit.

Players

Most football players have highly specialized roles. At the college and NFL levels, most play only offense or only defense.

Offense

The offensive line (OL) consists of five players whose job is to protect the passer and clear the way for runners by blocking members of the defense. The lineman in the middle is the center. Outside the center are the guards, and outside them are the tackles. Except for the center, who snaps the ball to one of the backs, offensive linemen generally do not handle the ball.

The quarterback (QB) receives the snap from the center on most plays. He then hands or tosses it to a running back, throws it to a receiver or runs with it himself. The quarterback is the leader of the offense and calls the plays that are signaled to him from the sidelines.

Running backs (RB) line up behind or beside the QB and specialize in running with the ball. They also block, catch passes and, on rare occasions, pass the ball to others or even receive the snap. If a team has two running backs in the game, usually one will be a halfback (HB) (or tailback (TB)), who is more likely to run with the ball, and the other will usually be a fullback (FB), who is more likely to block.

Wide receivers (WR) line up near the sidelines. They specialize in catching passes, though they also block for running plays or downfield after another receiver makes a catch.

Tight ends (TE) line up next to the offensive line. They can either play like wide receivers (catch passes) or like offensive linemen (protect the QB or create spaces for runners). Sometimes an offensive lineman takes the tight end position and is referred to as a tackle eligible.

At least seven players must line up on the line of scrimmage on every offensive play. The other players may line up anywhere behind the line. The exact number of running backs, wide receivers and tight ends may differ on any given play. For example, if the team needs only one yard, it may use three tight ends, two running backs and no wide receivers. On the other hand, if it needs 20 yards, it may replace all of its running backs and tight ends with wide receivers.

Defense

In contrast to members of the offense, the rules of professional football (NFL Rulebook) and American college football (NCAA Rulebook) do not specify starting position, movement, or coverage zones for members of the defensive team, except that they must be in the defensive zone at the start of play. The positions, movements and responsibilities of all defensive players are assigned by the team by selection of certain coverages, or patterns of placement and assignment of responsibilities. The positional roles are customary. These roles have varied over the history of American football. The following are customary defensive positions used in many coverages in modern American football.

The defensive line consists of three to six players who line up immediately across from the offensive line. They try to occupy the offensive linemen in order to free up the linebackers, disrupt the backfield (behind the offensive line) of the offense, and tackle the running back if he has the ball before he can gain yardage or the quarterback before he can throw or pass the ball. They are the first line of defense.

Behind the defensive line are the linebackers. They line up between the defensive line and defensive backs and may either rush the quarterback or cover potential receivers.

The last line of defense is known as the secondary, comprising at least three players who line up as defensive backs, who are either cornerbacks or safeties. They cover the receivers and try to stop pass completions. They occasionally rush the quarterback.

Special teams

The units of players who handle kicking plays are known as special teams. Three important special-teams players are the punter, who handles punts, the placekicker or kicker, who kicks off and attempts field goals and extra points, and the long snapper, who snaps the ball for extra points, field goals, and punts. Also included on special teams are the returners. These players return punts or kickoffs and try to get in good field position. These players can also score touchdowns.

Uniform numbering

In the NFL, ranges of uniform numbers are (usually) reserved for certain positions: 1–19: Quarterbacks, punters and placekickers 20–49: Running backs and defensive backs 50–79: Offensive and defensive linemen 10–19, 80–89: Wide receivers 40–49, 80–89: Tight ends 50–59, 90–99: Linebackers and defensive linemen (90–99) Players who switch positions in their career can keep their number if they played their prior position for at least a year and move from a position that is eligible to receive passes to another eligible position, or if he is moving from one ineligible position to another ineligible position.

NCAA and high school rules specify only that offensive linemen must have numbers in the 50–79 range, but the NCAA "strongly recommends" that quarterbacks and running backs have numbers below 50 and wide receivers numbers above 79. This helps officials, as it means that numbers 50 to 79 are ineligible receivers, or players that may not receive a forward pass (except in the rare instance when a Tackle lines up as the outermost lineman on his side of the line and the officials are notified that he will be an eligible receiver for that particular play). There are no numbering restrictions on defensive players in the NCAA, other than that a team may not have two players on the field at the same time with the same jersey number.

Basic strategy

Because the game stops after every down, giving teams a chance to call a new play, strategy plays a major role in football. Each team has a playbook of dozens to hundreds of plays. Ideally, each play is a scripted, strategically sound team-coordinated endeavor. Some plays are very safe; they are likely to get only a few yards. Other plays have the potential for long gains but at a greater risk of a loss of yardage or a turnover.

Generally speaking, rushing plays are less risky than passing plays. However, there are relatively safe passing plays and risky running plays. To deceive the other team, some passing plays are designed to resemble running plays and vice versa. These are referred to as play-action passes and draws, respectively. There are many trick or gadget plays, such as when a team lines up as if it intends to punt and then tries to run or pass for a first down. Such high-risk plays are a great thrill to the fans when they work. However, they can spell disaster if the opposing team realizes the deception and acts accordingly.

The defense also plans plays in response to expectations of what the offense will do. For example, a "blitz" (using linebackers or defensive backs to charge the quarterback) is often attempted when the team on defense expects a pass. A blitz makes downfield passing more difficult but exposes the defense to big gains if the offensive line stems the rush.

Many hours of preparation and strategizing, including film review by both players and coaches, go into the days between football games. This, along with the demanding physicality of football (see below), is why teams typically play at most one game per week.

Physicality

American football is a collision sport. To stop the offense from advancing the ball, the defense must tackle the player with the ball by knocking or pulling him down. As such, defensive players must use some form of physical contact to bring the ball-carrier to the ground, within certain rules and guidelines. Tacklers cannot kick or punch the runner. They also cannot grab the face mask of the runner's helmet or lead into a tackle with their own helmet ("spearing"). Despite these and other rules regarding unnecessary roughness, most other forms of tackling are legal. Blockers and defenders trying to evade them also have wide leeway in trying to force their opponents out of the way. Quarterbacks are regularly hit by defenders coming on full speed from outside the quarterback's field of vision. This is commonly known as a blindside.

To compensate for this, players must wear special protective equipment, such as a padded plastic helmet, shoulder pads, hip pads and knee pads. These protective pads were introduced decades ago and have improved ever since to help minimize lasting injury to players. An unintended consequence of all the safety equipment has resulted in increasing levels of violence in the game. Players may now hurl themselves at one another at high speeds without a significant chance of injury. The injuries that do result tend to be severe and often season or career-ending and sometimes fatal. In previous years with less padding, tackling more closely resembled tackles in Rugby football. Better helmets have allowed players to use their helmets as weapons. This form of tackling is particularly unwise, because of the great potential for brain or spinal injury. All this has caused the various leagues, especially the NFL, to implement a complicated series of penalties for various types of contact. Most recently, virtually any contact with the helmet of a defensive player on the quarterback, or any contact to the quarterback's head, is now a foul. During the late 1970s, the penalty in high school football for spearing included ejection from the game.

Despite protective equipment and rule changes to emphasize safety, injuries remain very common in football. It is increasingly rare, for example, for NFL quarterbacks or running backs (who take the most direct hits) to make it through an entire season without missing some time to injury. Additionally, 28 football players died from direct football injuries in the years 2000–05 and an additional 68 died indirectly from dehydration or other examples of "non-physical" dangers, according to the National Center for Catastrophic Sport Injury Research. Concussions are common, with about 41,000 suffered every year among high school players according to the Brain Injury Association of Arizona. In 1981, U.S. President Ronald Reagan, who played football in high school, commented on the contact of the sport: "Football is the last thing left in civilization where men can literally fling themselves bodily at one another in combat and not be at war."

Extra and optional equipment such as neck rolls, spider pads, rib protectors (referred to as "flak jackets"), and elbow pads help against injury as well, though they do not tend to be used by the majority of players due to their lack of requirement.

The danger of football, and the equipment required to reduce it, make regulation football impractical for casual play. Flag football and touch football are less violent variants of the game popular among recreational players.

Nutrition and dehydration

Football players typically begin their season while the weather is still extremely warm and with the dangerous combination of warm weather and high humidity, dehydration is a great risk for the players. The players are usually required to follow a hydration schedule. It is extremely important for players to drink enough fluids because dehydration can seriously reduce athletic performance and increase the risk of heat illnesses. Most trainers and coaches make it imperative for their players to drink fluids before they are thirsty.

Organization in the United States

In the United States, the major forms are high school football, college football and professional football. Most American high schools field football teams. In general, high school teams play only against other teams within the same state, but there are some exceptions like nearby schools located on opposite sides of a state line.

Most of college football in the United States is governed by the National Collegiate Athletic Association (NCAA), and most colleges and universities around the country have football teams. These teams mostly play other similarly sized schools, through the NCAA's divisional system, which divides the schools into four divisions: Division I Bowl Subdivision, Division I Championship Subdivision, Division II, and Division III. Unlike the three smaller NCAA football divisions, the Division I Bowl Subdivision does not have an organized tournament to determine its national champion. Instead, teams are invited to compete in a number of post-season bowl games. In addition, the champions of six conferences in the Division I Bowl Subdivision receive automatic bids, and four other schools receive "at-large" bids, to those five bowl games under the highly lucrative Bowl Championship Series to help determine the national champion.

The highest level major professional league in the United States is the 32-team National Football League (NFL). Another professional league, the 5-team United Football League, also currently operates. Several semi-professional, women's semi-professional football, and indoor football leagues are also played across the country.

Calendar

Traditionally, football is an autumn sport. A season typically begins in mid-to-late August and runs through December, into January. The NFL playoffs run further through January, and the Super Bowl is often played in the first week of February. As such, the sport is played in a wide range of weather conditions, from the heat and humidity of late summer, to the cold winds and snow in mid-winter. Unlike rainouts in baseball, play is only generally postponed or canceled in very extreme conditions such as lightning and hurricanes.

The NFL draft is usually held in April, in which eligible college football players are selected by NFL teams, the order of selection determined by the teams' final regular season records.

It is a long-standing tradition in the United States (though not universally observed) that high school football games are played on Friday night, college games on Saturday, and professional games on Sunday.

In the 1970s, the NFL began to schedule one game on Monday nights. Beginning in 2006, the NFL began scheduling games on Thursday and Saturday nights after the college football regular season concludes in mid-November, aired on the NFL Network.

Nationally televised Thursday-night college games have become a weekly fixture on ESPN, and most nights of the week feature at least one college game, though most games are still played on the traditional Saturday.

Certain fall and winter holidays—such as the NFL's Thanksgiving Classic and numerous New Year's Day college bowl games—have traditional football games associated with them.

Despite this, there are a few professional leagues that have played in the spring, mainly to avoid competition with the established leagues. Examples include the now defunct XFL, the United States Football League, and the proposed All American Football League. Indoor football is played primarily in spring for this same reason.

At most levels of competition, college football teams hold several weeks of practices in the spring. These practices typically end with an intramural scrimmage open to the public. In certain areas, high school football teams also hold spring practices.

Outside the United States

Outside the United States, the sport is referred to as "American football" (or a translation thereof) to differentiate it from other football codes such as association football (soccer), rugby football, Australian rules football and Gaelic football. In Australia and New Zealand the game is also known as gridiron football, or more commonly as gridiron, although in the United States the term ''gridiron'' refers only to the playing field itself. The term ''gridiron'' has also been used in the UK to describe the game. In much of the world, the term football is unambiguous and refers to association football (known commonly as 'soccer' in the United States).

Exportation by the established U.S. leagues and organizations

In 1977, the semi-pro football teams Newton Nite Hawks and Chicago Lions completed a five-game tour in Europe. These were the first professional or semi-professional American football teams to play organized games on the European continent. Games were played in Versailles, France; Lille, France; Landstuhl, Germany; Gratz Austria; and Vienna, Austria.

In 1985, Bethany College head coach and future College Football Hall of Fame member Ted Kessinger brought the first American football team to play in Sweden. The Bethany "Terrible Swedes" defeated the Swedish all-star team 72–7 in Stockholm Olympic Stadium.

The NFL has attempted to introduce the game to other nations and operated a developmental league, NFL Europa (also known as the World League of American Football and NFL Europe) with teams in various European cities, but this league was closed down following the 2007 season. The professional Canadian Football League and collegiate Canadian Interuniversity Sport play under the slightly different Canadian rules.

Major American leagues have also held some regular season games outside of the United States. On October 2, 2005, the Arizona Cardinals and San Francisco 49ers played the first regular season NFL game outside of the United States, in Mexico City's Estadio Azteca, From 2007, the NFL has played or has plans to play at least one regular season game outside of the United States during each season. The NCAA will also play games outside of the U.S. In 2012, The United States Naval Academy will play the University of Notre Dame in Dublin, Ireland.

Leagues by country

 — Gridiron Australia is the overall governing body for American football in Australia. The country is actually divided into state-level leagues instead of one national-level league by itself: ACT Gridiron (Australian Capital Territory), Gridiron NSW (New South Wales), Gridiron Queensland (Queensland), South Australian Gridiron Association (South Australia), Gridiron Victoria (Victoria), and Gridiron West (Western Australia).

 — The Belgian Football League fields 16 teams. The finalists from the playoffs determine the champion during the Belgian Bowl.

 — The Brazilian American Football League has 14 teams partitioned into north and south conferences.

 — The Vaahteraliiga or the ''Maple League'' has eight teams. The league's name comes from the name of the championship trophy ''Vaahteramalja'' ("Maple Bowl"), which was donated to the newly formed association by the embassy of Canada in Finland.

 — The German Football League has 12 teams partitioned into north and south conferences. The finalists from the playoffs determine the German champion during the German Bowl.

 — 18 registered teams participate in the MAFL's two-division league structure. The sport has grown significantly since 2004 and with some top Division I teams participating in the CEFL.

 — The Elite Football League of India (EFLI) is a proposed professional league in India. When play begins in late 2012, there will be eight teams, representing various cities across India with populations of one million or more. The ELFI will be India's first professional American football league, and its launch is backed by the Government of India and the Sports Authority of India. All of the first season's games will be held in Pune at the Shree Shiv Chhatrapati Sports Complex.

 — The Irish American Football League consists of 14 teams. Its championship game is the Shamrock Bowl.

 — Games are governed by the Israeli Football League.

 — The Italian Football League was founded in 2008, taking over previous league (National Football League Italy). It has 9 teams for the 2010 season.

 — The X-League is a professional league with 60 teams in four divisions, using promotion and relegation. After the post-season playoffs, the X-League champion is determined in the Japan X Bowl. There are also over 200 universities fielding teams, with the national collegiate championship determined by the Koshien Bowl. The professional and collegiate champions then face each other in the Rice Bowl to determine the national champion.

 — The ONEFA is a college league with 26 teams in 3 conferences.

 — American Football Wellington comprises five teams located in the Wellington area.

 — A rising number of teams (11 in 2010) compete in a two division league structure (division I which determines a national champion by a postseason playoff, and division 2 where newer and smaller teams are allowed to mature). Two teams (Oslo Vikings and Eidsvoll 1814s) regularly compete in either the European Football League or the EFAF Cup. Eidsvoll was the runner-up in EFAF Cup 2006.

 — Games are governed by the Polish American Football League.

 — Teams in the Nacionalna Liga Srbije compete in the Serbian Bowl.

 — The LNFA was founded in 1995, and currently consists of 15 clubs.

 — 70 amateur teams play in the BAFA Community Leagues (BAFACL) across a number of age ranges. The senior (adult) league has three levels: the Premiership, comprising six teams; Division 1, comprising 18 teams split across three regional conferences; and Division 2, comprising 23 teams split across four regional conferences. While the lower level teams have their own championship games during BritBowl Weekend, only Premier Division teams face each other in the BritBowl which is held in Worcester's Sixways Stadium. Unlike the NFL, the BAFACL season is played through the summer (April to September), with the British university season spanning the autumn and winter.

The IFAF and the American Football World Cup

The International Federation of American Football (IFAF) is the ''de facto'' governing body for American football, with 45 member associations from North and South America, Europe, Asia and Oceania. The organization is headquartered in La Courneuve, France. Although the IFAF has relatively little standing in the U.S. compared to the NFL, NCAA, and the other established aforementioned bodies, these same organizations also give support to USA Football, the designated U.S. representative to the IFAF.

The IFAF also oversees the American Football World Cup, which is held every four years. Japan won the first two World Cups, held in 1999 and 2003. Team USA, which had not participated in the previous World Cups, won the title in 2007.

A long term goal of the IFAF is for American football to be accepted by the International Olympic Committee as an Olympic sport. The only time that the sport was played was at the 1932 Summer Olympics in Los Angeles, but as a demonstration sport.

See also

American football on Thanksgiving

Comparison of American and Canadian football

Comparison of American football and rugby league

Fantasy football (American)

Glossary of American football

Lists of American football players

List of American football stadiums by capacity

List of American football teams in Belgium

List of American football teams in Germany

List of American football teams in the Netherlands

List of defunct sports leagues

Pro Football Hall of Fame

Sports nutrition

Sprint Football

Steroid use in American football

Strat-O-Matic Football

Street football (American)

References

Notes

Bibliography

Further reading

''Sports Illustrated'' magazine dated December 4, 2005; "Football America", a series of articles attesting to the pervasive popularity of American football in the United States at all levels.

External links

Movie of 1903 football game between the University of Chicago and the University of Michigan

National Football League Official Signals.

Brief explanation of the sport by the BBC aimed at a non-american audience

American Youth Football

Category:Sports originating in the United States Category:1869 introductions Category:Football codes

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Character name	Captain America
Converted	y
Alter ego	Steven "Steve" Rogers
Publisher	Marvel Comics
Debut	''Captain America Comics'' #1 (March 1941)
Creators	Joe SimonJack Kirby
Alliances	Illuminati"Secret Avengers" (Civil War)AvengersInvadersAll-Winners SquadSecret DefendersS.H.I.E.L.D.Project: RebirthU.S. ArmyRedeemersNew AvengersSecret Avengers
Aliases	Nomad, The Captain, Brett Hendrick, Roger Stevens, Weapon I
Partners	Bucky (James Barnes)FalconNomad (Monroe)Bucky (Rick Jones)Free SpiritJack FlagBucky (Rikki)Demolition ManSharon Carter
Supports
Powers	Physical attributes enhanced to peak of human potentialExpert martial artist and hand-to-hand combatantAll-terrain acrobaticsMaster tactician and field commanderVibranium-steel alloy shield
Cat	super
Subcat	Marvel Comics
Hero	y
Sortkey	Captain America }}

Captain America is a fictional character, a superhero that appears in comic books published by Marvel Comics. The character first appeared in ''Captain America Comics'' #1 (March 1941), from Marvel Comics' 1940s predecessor, Timely Comics, and was created by Joe Simon and Jack Kirby. Over the years, an estimated 210 million copies of "Captain America" comic books have been sold in a total of 75 countries. For nearly all of the character's publication history, Captain America was the alter ego of Steve Rogers, a frail young man who was enhanced to the peak of human perfection by an experimental serum in order to aid the United States war effort. Captain America wears a costume that bears an American flag motif, and is armed with an indestructible shield that can be thrown as a weapon.

An intentionally patriotic creation who was often depicted fighting the Axis powers of World War II, Captain America was Timely Comics' most popular character during the wartime period. After the war ended, the character's popularity waned and he disappeared by the 1950s aside from an ill-fated revival in 1953. Captain America was reintroduced during the Silver Age of comics when he was revived from suspended animation by the superhero team the Avengers in ''The Avengers'' #4 (March 1964). Since then, Captain America has often led the team, as well as starring in his own series.

Steve Rogers was purportedly assassinated in ''Captain America'' vol. 5, #25 (March 2007), although he was later revealed to be alive. The comic-book series ''Captain America'' continued to be published, with Rogers' former sidekick, James "Bucky" Barnes, having taken up the mantle, and keeping it at the insistence of Rogers, who upon his return began operating as an intelligence agent in the ''Secret Avengers'' title, and in the limited series ''Steve Rogers: Super Soldier''.

Captain America was the first Marvel Comics character adapted into another medium with the release of the 1944 movie serial ''Captain America.'' Since then, the character has been featured in several other films and television series, including ''Captain America: The First Avenger,'' released on July 22, 2011. Captain America was ranked 6th on IGN's Top 100 Comic Book Heroes in 2011.

Publication history

In 1940, writer Joe Simon conceived the idea for Captain America and made a sketch of the character in costume . "I wrote the name 'Super American' at the bottom of the page," Simon said in his autobiography. "No, it didn't work. There were too many 'Supers' around. 'Captain America' had a good sound to it. There weren't a lot of captains in comics. It was as easy as that. The boy companion was simply named Bucky, after my friend Bucky Pierson, a star on our high school basketball team."

Simon recalled in his autobiography that Timely Comics publisher Martin Goodman gave him the go-ahead from and directed that a Captain America solo comic book series be published as soon as possible. Needing to fill a full comic with primarily one character's stories, Simon did not believe that his regular creative partner, artist Jack Kirby, could handle the workload alone:

Al Liederman would ink that first issue, which was lettered by Simon and Kirby's regular letterer, Howard Ferguson.

Simon said Captain America was a consciously political creation; he and Kirby were morally repulsed by the actions of Nazi Germany in the years leading up to the United States' involvement in World War II and felt war was inevitable: "The opponents to the war were all quite well organized. We wanted to have our say too."

''Captain America Comics'' #1 — cover-dated March 1941 and on sale in December 1940, a year before the attack on Pearl Harbor, but a full year into World War II — showed the protagonist punching Nazi leader Adolf Hitler in the jaw — sold nearly one million copies. While most readers responded favorably to the comic, some took objection. Simon noted, "When the first issue came out we got a lot of... threatening letters and hate mail. Some people really opposed what Cap stood for." Though preceded as a "patriotically themed superhero" by MLJ's The Shield, Captain America immediately became the most prominent and enduring of that wave of superheroes introduced in American comic books prior to and during World War II. With his sidekick Bucky, Captain America faced Nazis, Japanese, and other threats to wartime America and the Allies. Stanley Lieber, now better known by his pen name Stan Lee, contributed to the character in issue #3 in the filler text story "Captain America Foils the Traitor's Revenge," which introduced the character's use of his shield as a returning throwing weapon. Captain America soon became Timely's most popular character and even had a fan-club called the "Sentinels of Liberty."

Circulation figures remained close to a million copies per month after the debut issue, which outstripped even the circulation of news magazines like ''Time'' during the period. After the Simon and Kirby team moved to DC in late 1941, having produced ''Captain America Comics'' through issue #10 (January 1942), Al Avison and Syd Shores became regular pencillers of the celebrated title, with one generally inking over the other. The character was also featured in ''All Winners Comics'' #1-19 (Summer 1941 – Fall 1946), ''Marvel Mystery Comics'' #80-84 and #86-92, ''USA Comics'' #6-17 (Dec. 1942 – Fall 1945), and ''All Select Comics'' #1-10 (Fall 1943 – Summer 1946).

In the post-war era, with the popularity of superheroes fading, Captain America led Timely's first superhero team, the All-Winners Squad, in its two published adventures, in ''All Winners Comics'' #19 and #21 (Fall–Winter 1946; there was no issue #20). After Bucky was shot and wounded in a 1948 ''Captain America'' story, he was succeeded by Captain America's girlfriend, Betsy Ross, who became the superheroine Golden Girl. ''Captain America Comics'' ended with issue #75 (Feb. 1950), by which time the series had been titled ''Captain America's Weird Tales'' for two issues, with the finale being a horror/suspense anthology issue with no superheroes.

Atlas Comics attempted to revive its superhero titles when it reintroduced Captain America, along with the original Human Torch and the Sub-Mariner, in ''Young Men'' #24 (Dec. 1953). Billed as "Captain America, Commie Smasher!" Captain America appeared during the next year in ''Young Men'' #24-28 and ''Men's Adventures'' #27-28, as well as in issues #76-78 of an eponymous title. Atlas' attempted superhero revival was a commercial failure, and the character's title was canceled with ''Captain America'' #78 (Sept. 1954).

Silver Age revival

In the Human Torch story titled "Captain America" in Marvel Comics' ''Strange Tales'' #114 (Nov. 1963), writer-editor Stan Lee and artist and co-plotter Jack Kirby depicted the brash young Fantastic Four member Johnny Storm, the Human Torch, in an exhibition performance with Captain America, described as a legendary World War II and 1950s superhero who has returned after many years of apparent retirement. The 18-page story ends with this Captain America revealed as an impostor: it was actually the villain the Acrobat, a former circus performer the Torch had defeated in ''Strange Tales'' #106, who broke two thieves out of jail, hoping to draw the police away while trying to rob the local bank. Afterward, Storm digs out an old comic book in which Captain America is shown to be Steve Rogers. A caption in the final panel says this story was a test to see if readers would like Captain America to return.

Captain America was then formally reintroduced in ''The Avengers'' #4 (March 1964), which explained that in the final days of WWII, he had fallen from an experimental drone plane into the North Atlantic Ocean and spent decades frozen in a block of ice in a state of suspended animation. He quickly became leader of that superhero team. Following the success of other Marvel characters introduced during the 1960s, Captain America was recast as a hero "haunted by past memories, and trying to adapt to 1960s society."

After then guest-starring in the feature "Iron Man" in ''Tales of Suspense'' #58 (Oct. 1964), Captain America gained his own solo feature in that "split book," beginning the following issue. Kirby, Captain America's co-creator, was illustrating his hero's solo adventures again for the first time since 1941. Issue #63 (March 1965), which retold Captain America's origin, through issue #71 (Nov. 1965) was a period feature set during World War II and co-starred Captain America's Golden Age sidekick, Bucky.

In the 1970s, the post-war versions of Captain America were retconned into separate, successive characters who briefly took up the mantle of Captain America after Steve Rogers went into suspended animation near the end of World War II. The hero found a new generation of readers as leader of the all-star superhero team the Avengers, and in a new solo feature beginning in ''Tales of Suspense'' #59 (Nov. 1964), a "split book" shared with the feature "Iron Man". Kirby drew all but two of the stories in ''Tales of Suspense,'' which became ''Captain America'' with #100 (April 1968); Gil Kane and John Romita, Sr., each filled in once. Several stories were finished by penciller-inker George Tuska over Kirby layouts, with one finished by Romita Sr. and another by penciller Dick Ayers and inker John Tartaglione. Kirby's regular inkers on the series were Frank Giacoia (as "Frank Ray") and Joe Sinnott, though Don Heck and Golden Age Captain America artist Syd Shores inked one story each. The new title ''Captain America'' continued to feature artwork by Kirby, as well as a short run by Jim Steranko, and work by many of the industry's top artists and writers. It was called ''Captain America and the Falcon'' from #134-222 (although the Falcon's name was not on the cover for issues #193, 200, and 216).

This series — considered ''Captain America'' volume one by comics researchers and historians, following the 1940s ''Captain America Comics'' and its 1950s numbering continuation — ended with #454 (Aug. 1996).

After the Silver Age

This series was almost immediately followed by the 13-issue ''Captain America'' vol. 2 (Nov. 1996 – Nov. 1997), the 50-issue ''Captain America'' vol. 3 (Jan. 1998 – Feb. 2002), the 32-issue ''Captain America'' vol. 4 (June 2002 – Dec. 2004), and ''Captain America'' vol. 5 (Jan. 2005 – July 2009). Beginning with the 600th overall issue counting these series, ''Captain America'' resumed its original numbering with issue #600, as if the series numbering had continued uninterrupted after #454.

As part of the aftermath of Marvel Comics' company-crossover storyline "Civil War", Steve Rogers was ostensibly killed in ''Captain America'' vol. 5, #25 (March 2007). Series writer Ed Brubaker remarked, "What I found is that all the really hard-core left-wing fans want Cap to be standing out on and giving speeches on the street corner against the George W. Bush administration, and all the really right-wing fans all want him to be over in the streets of Baghdad, punching out Saddam Hussein." The character's co-creator, Joe Simon, remarked, "It's a hell of a time for him to go. We really need him now." Artist Alex Ross designed a slightly revised Captain America costume that former sidekick Bucky Barnes began to wear as the new Captain America in vol. 5, #34 (March 2008)

The storyline of Rogers' return began in issue #600. Rogers, who was not dead but caroming through time, returned to the present day in the six-issue miniseries ''Captain America: Reborn'' (Sept. 2009 – March 2010).

After Rogers' return, Barnes, at Rogers' insistence, continued as Captain America, beginning in the one-shot comic ''Captain America: Who Will Wield the Shield?'' (Feb. 2010). While Bucky Barnes continued adventuring in the pages of ''Captain America'', Steve Rogers received his own miniseries (''Steve Rogers: Super-Soldier'') as well as taking on the leadership position in a new ''Secret Avengers'' ongoing series.

Spinoff series included ''Captain America Sentinel of Liberty'' (Sept. 1998 – Aug. 1999) and ''Captain America and the Falcon'' (May 2004 – June 2005). The 1940s Captain America appeared alongside the 1940s Human Torch and Sub-Mariner in the 12-issue miniseries ''Avengers/Invaders''. The 2007 mini-series ''Captain America: The Chosen'', written by David Morrell and penciled by Mitchell Breitweiser, depicts a dying Steve Rogers' final minutes, at S.H.I.E.L.D. headquarters, as his spirit guides James Newman, a young American marine fighting in Afghanistan. ''The Chosen'' is not part of the main Marvel Universe continuity.

Fictional character biography

1940s

Steve Rogers was born July 4, 1917, in the Lower East Side of Manhattan, New York City, to Irish immigrants Sarah and Joseph Rogers. Joseph Rogers died when Steve was only a child and his mother, Sarah, died of pneumonia while Steve was a teen. By early 1940, before America's entry into World War II, Rogers is a tall but scrawny fine arts student specializing in illustration. Disturbed by the rise of the Third Reich, Rogers attempts to enlist, only to be rejected due to being in poor shape. U.S. Army General Chester Phillips, looking for test subjects, offers Rogers the chance to serve his country by taking part in a top-secret defense project — Operation: Rebirth, which seeks to develop a means of creating physically superior soldiers. Rogers volunteers for the research and, after a rigorous selection process, is chosen as the first human test subject for the Super-Soldier serum developed by the scientist "Dr. Josef Reinstein", later retroactively changed to a code name for the scientist Abraham Erskine.

That night, Operation: Rebirth is implemented and Rogers receives injections and oral doses of the Super-Soldier Serum. He is then exposed to a controlled burst of "Vita-Rays" that activate and stabilize the chemicals in his system. Although the process is arduous physically, it successfully alters his physiology almost instantly from its relatively frail form to the maximum of human efficiency, greatly enhancing his musculature, reflexes, agility, stamina and intelligence. Erskine declares Rogers to be the first of a new breed of man, a "nearly perfect human being."

The process he underwent has varied from account to account. In the original 1941 story, he was injected with the formula. When the origin was retold in ''Tales of Suspense'' #63, the Comics Code Authority and its prohibitions on demonstrations of drug use were in force, and the injection was replaced with drinking a formula. In ''Captain America'' #109, the Vita-Rays were first introduced, although a dialogue comment preserved continuity by mentioning that he had also drunk the formula beforehand. The retelling of the story in ''Captain America'' #255, however, stated that all three were used in combination. In addition, the limited series, ''The Adventures of Captain America'' reveals that Rogers also underwent rigorous physical training in combat prior to his enhancement.

After the physical transformation, Nazi spy Heinz Kruger reveals himself and shoots Erskine. Because the scientist had committed crucial portions of the Super-Soldier formula to memory, duplicating it perfectly would be unlikely. The spy dies, killed either while running away to escape Rogers or because Rogers threw him into live machinery. In the 1941 origin story and the ''Tales of Suspense'' #63 version, he dies when running into the machinery but is not killed by Rogers; in the ''Captain America'' #109 and #255 revision, however, Rogers causes the spy's death by punching him into the machinery.

The United States government, making the most of its one super-soldier and to hide all information about Operation: Rebirth and its failure, re-imagines him as a superhero who serves as both a counter-intelligence agent and a propaganda symbol to counter Nazi Germany's head of terrorist operations, the Red Skull. To that end, Rogers is given a uniform modeled after the American flag (based on Rogers' own sketches) a bulletproof shield, a personal side arm, and the codename Captain America. He is also given a cover identity as a clumsy infantry private at Camp Lehigh in Virginia. Barely out of his teens himself, Rogers makes friends with the camp's teenage mascot, James Buchanan "Bucky" Barnes.

Barnes accidentally learns of Rogers' dual identity and offers to keep the secret if he can become Captain America's sidekick. Rogers agrees and trains Barnes. Rogers meets President Franklin D. Roosevelt, who presents him with a new shield, forged from an alloy of steel and vibranium, fused by an unknown catalyst. The alloy is indestructible, yet the shield is light enough to use as a discus-like weapon that can be angled to return to him. It proves so effective that Captain America forgoes the sidearm. Throughout World War II, Captain America and Bucky fight the Nazi menace both on their own and as members of the superhero team the Invaders (as seen in the 1970s comic of the same name). Captain America also battles a number of criminal menaces on American soil, including a wide variety of costumed villains: the Wax Man, the Hangman, the Fang, and the White Death, the superhero team the Avengers discovers Steve Rogers' body in the North Atlantic, the Captain's uniform under his soldier's fatigues and still carrying his shield. After he revives, they piece together that Rogers had been preserved in a block of ice since 1945, surviving in such a state only because of his enhancements from Operation: Rebirth. The block had begun to melt after the Sub-Mariner, enraged that an Arctic Inuit tribe is worshiping the frozen figure, throws it into the ocean. Rogers accepts membership in the Avengers, and although long out of his time, his considerable combat experience makes him a valuable asset to the team. He quickly assumes leadership, and has typically returned to that position throughout the team's history.

Captain America is plagued by guilt for having been unable to prevent Bucky's death—a feeling that does not ease for some time. Although he takes the young Rick Jones (who closely resembles Bucky) under his tutelage, he refuses for some time to allow Jones to take up the Bucky identity, not wishing to be responsible for another youth's death. Insisting that his hero finally move on from that loss, Jones eventually convinces Rogers to let him don the Bucky costume, but this partnership lasts only a short time; a disguised Red Skull, impersonating Rogers with the help of the Cosmic Cube, drives Jones away.

Rogers also reunites with his old war comrade Nick Fury, who is similarly well-preserved due to the "Infinity Formula." As a result, Rogers regularly undertakes missions for the security agency S.H.I.E.L.D. for which Fury is public director. Through Fury, Rogers befriends Sharon Carter, a S.H.I.E.L.D. agent, with whom he eventually begins a romantic relationship.

Rogers later meets and trains Sam Wilson, who becomes the superhero the Falcon, the first African-American superhero in mainstream comic books. The characters established an enduring friendship and adventuring partnership, sharing the series title for some time as ''Captain America and the Falcon''. The two later encounter the revived but still insane 1950s Captain America. Although Rogers and the Falcon defeat the faux Rogers and Jack Monroe, Rogers becomes deeply disturbed that he could have suffered his counterpart's fate.

The series also dealt with the Marvel Universe's version of the Watergate scandal, making Rogers so uncertain about his role that he abandons his Captain America identity in favor of one called Nomad, emphasizing the word's meaning as "man without a country". During this time, several men unsuccessfully assume the Captain America identity. Rogers eventually re-assumes it after coming to consider that the identity could be a symbol of American ideals and not its government; it's a personal conviction epitomized when he later confronted a corrupt Army officer attempting to manipulate him by appealing to his loyalty, "I'm loyal to nothing, General... except the [American] Dream." Jack Monroe, cured of his mental instability, later takes up the Nomad alias. During this period, Rogers also temporarily gains super strength. Immediately after witnessing Number One's suicide, he is summoned to the future to participate in the Destiny War between Kang the Conqueror and Immortus (it is revealed over the course of the story that Rogers was selected from this time frame as, had he been taken from any other time period, his strong personality- shaken at this point by the events he had just witnessed- would have dominated the team and deprived them of the flexibility required to succeed in their mission, although his presence alone still brought cohesion to the group). He also learns of the apparent death of Sharon Carter.

1980s to 1990s

The early 1980s included runs from such creators as Roger Stern, John Byrne, and J. M. DeMatteis. Stern had Steve Rogers considers a run for President of the United States in ''Captain America'' #250 (June 1980), and and introduced a new love interest, law student Bernie Rosenthal, in ''Captain America'' #248 (Aug. 1980). Stern also revisited and expanded Captain America's origin story.

DeMatteis revealed the true face and full origin of the Red Skull in ''Captain America'' #298-300, and had Captain America take on Jack Monroe, Nomad, as a partner for a time. It is also around this time that the heroes gathered by the Beyonder elect Rogers as leader during their stay on Battleworld in the 1984 miniseries ''Secret Wars''

Also during the 1980s, Mark Gruenwald wrote 137 issues of the book for 10 consecutive years from 1985 to 1995, the most issues by any single author in the character's history. Gruenwald created several new foes, including Crossbones and the Serpent Society. Other Gruenwald characters included new love interest Diamondback., Super Patriot (who would go on to become a replacement Captain America in a two-year story arc and became USAgent at that arc's conclusion), and some short-lived new partners that included Demolition Man.

Gruenwald explores numerous political and social themes as well, such as extreme idealism when Captain America fights the anti-nationalist terrorist Flag-Smasher; and vigilantism when he hunts the murderous Scourge of the Underworld. Homophobia was also dealt with as Steve Rogers runs into a childhood friend named Arnold Roth who is gay.

Rogers receives a large back-pay reimbursement dating back to his disappearance at the end of World War II, and a government commission orders him to work directly for the U.S. government. Already troubled by the corruption he had encountered with the Nuke incident in New York City, Rogers chooses instead to resign his identity, and then takes the alias of "the Captain". A replacement Captain America, John Walker, struggles to emulate Rogers' ideals until pressure from hidden enemies helps to drive Walker insane. Rogers returns to the Captain America identity while a recovered Walker becomes the U.S. Agent.

Sometime afterward, Rogers avoids the explosion of a methamphetamine lab, but the drug triggers a chemical reaction in the Super-Soldier serum in his system. To combat the reaction, Rogers has the serum removed from his body, and trains constantly to maintain his physical condition.

A retcon later establishes that the serum was not a drug per se, which would have metabolized out of his system, but in fact a virus-like organism that effected a biochemical and genetic change. This additionally explained how arch-nemesis Red Skull, who at the time inhabited a body cloned from Rogers' cells, also has the formula in his body.

Because of his altered biochemistry, Rogers' body begins to deteriorate, and for a time he must wear a powered exoskeleton and is eventually placed again in suspended animation. During this time, he is given a transfusion of blood from the Red Skull, which cures his condition and stabilizes the Super-Soldier virus in his system. Captain America returns both to crime fighting and the Avengers.

Following Gruenwald's departure on the book, Mark Waid took over and resurrected Sharon Carter as Cap's love interest. The book was then relaunched under Rob Liefeld as Cap became part of the Heroes Reborn universe for 13 issues before another relaunch restored Waid to the title in an arc that saw Cap lose his shield for a time using an energy based shield as a temporary replacement. Following Waid's run, Dan Jurgens took over and introduced new foe Protocide, a failed recipient of the Super Soldier serum prior to the experiment that successfully created Rogers.

2000s

Rogers reveals his identity to the world, and establishes a residence in the Red Hook neighborhood of Brooklyn, New York.

Following the events of ''Avengers Disassembled'', again under the employ of S.H.I.E.L.D., Rogers discovers that Bucky is alive, having been saved and deployed by Soviet espionage interests as the Winter Soldier. Rogers also resumes his on-again, off-again relationship with S.H.I.E.L.D. agent Sharon Carter, who, after his death, believes she is pregnant with Steve Rogers' child.

In the 2006-2007 "Civil War" crossover, Captain America opposes mandatory federal registration of all super-powered beings, which he sees as an erosion of civil liberties for the superhero community, and leads the Anti-Registration faction and resistance movement. He becomes a fugitive and opposes the heroes of the Pro-Registration group, including his former friend Iron Man. He adopts the alias "Brett Hendrick", a mall security guard, to avoid government detection. As the War continues, Cap enlists the assistance of several figures with whom he would not choose to ally himself under normal circumstances, such as the Punisher and the Kingpin.

Captain America battles Iron Man during the climactic battle and has victory within his grasp when a group of civilians attempt to restrain him. Rogers realizes that he is endangering the very people he has sworn to protect. He then surrenders to the authorities and orders the Anti-Registration forces to stand down. As Rogers is led away in handcuffs, the Punisher retrieves Captain America's discarded mask.

''The Death of Captain America'' story arc follows his surrender. Steve Rogers is indicted on multiple criminal charges; as he is brought to a federal courthouse, a sniper shoots him in the back. In the chaos that ensues, he is wounded three more times in the stomach and chest by Sharon Carter. Rogers is taken to a hospital, where by all evidence he dies. The assassination, orchestrated by the Red Skull, involves Crossbones as the sniper and Dr. Faustus posing as a S.H.I.E.L.D. psychiatrist, who gives Carter a hypnotic suggestion to shoot Rogers at a crucial moment.

The superhero community is shaken by the assassination. The Punisher temporarily adopts a costume similar to that of Captain America, while Winter Soldier and Wolverine seek to avenge Rogers' death. The Winter Soldier steals Captain America's shield, and the Punisher provides him with the mask from Steve Rogers' uniform. Captain America is publicly laid to rest in Arlington National Cemetery, under a monument built in his honor. The body in Arlington is a fake: Tony Stark, accompanied by Hank Pym and Janet Van Dyne, returns Rogers' body to the Arctic where Rogers had been found years before. Namor attends the small private ceremony and vows no one will disturb the site.

Stark receives a letter containing Rogers' final requests: Stark should "save" Bucky, and that, despite his demise, the world still needs Captain America. Bucky accepts Stark's offer to take on the mantle of Captain America in exchange for a promise of autonomy from Stark. Bucky kept Rogers' trademark shield, but donned a new costume and began carrying a pistol and a knife.

''Captain America: Reborn'' #1 revealed that Rogers did not die; instead, the villainous Red Skull had Sharon Carter use a gun that transported him to a fixed position in space and time. Since then, Captain America had been phasing in and out of space and time, appearing at events in his lifetime and fighting battles. The Red Skull brings Rogers back to the present, where he takes control of Rogers' mind and body. Rogers eventually regains control, and with help from his allies, defeats the Red Skull.

In the one-shot comic ''Captain America: Who Will Wield the Shield?'', taking place after the conclusion to ''Reborn'', Rogers formally hands Bucky his Captain America shield and asks his former sidekick to continue as Captain America. Later, the American President grants Rogers a full pardon for his actions in ''Civil War''.

2010s

Following the company-wide "Dark Reign" and "Siege" story arcs, the Steve Rogers character became part of the "Heroic Age" arc. The U.S. president appoints Rogers, in his civilian identity, as head of the nation's security, replacing Norman Osborn. The Superhuman Registration Act is repealed and Rogers reestablishes the superhero team the Avengers. In the miniseries ''Steve Rogers: Super Soldier'', he encounters Jacob Erskine, the grandson of Professor Abraham Erskine and the son of Tyler Paxton, one of Rogers' fellow volunteers in the Super-Soldier program, the serum in his body being briefly deactivated before Rogers manages to force his enemies to restore it thanks to his combat training allowing him to hold his own despite his weakened physique. Rogers also becomes the leader of the Secret Avengers, a black-ops team that operates under a veil of secrecy.

Marvel stated in May 2011 that Rogers, following the death of Bucky Barnes in the ''Fear Itself'' miniseries, would resume his Captain America identity in a sixth volume of ''Captain America'', by writer Ed Brubaker and artist Steve McNiven.

Powers and abilities

Captain America has no superhuman powers, although as a result of the Super-Soldier Serum and "Vita-Ray" treatment, he is transformed from a frail young man into a "perfect" specimen of human development and conditioning. Captain America's strength, endurance, agility, speed, reflexes, durability, and healing are at the zenith of natural human potential. Rogers' body regularly replenishes the super-soldier serum; it does not wear off.

The formula enhances all of his metabolic functions and prevents the build-up of fatigue poisons in his muscles, giving him endurance far in excess of an ordinary human being. This accounts for many of his extraordinary feats, including bench pressing 1200 pounds (545 kg) and running a mile (1.6 km) in approximately 73 seconds. Furthermore, his enhancements are the reason why he was able to survive being frozen in suspended animation for decades. Rogers cannot become intoxicated by alcohol, drugs, or impurities in the air and is immune to terrestrial diseases. He is also highly resistant to hypnosis or gases that could limit his focus. The secrets of creating a super-soldier were lost with the death of its creator, Dr. Abraham Erskine. However, in the ensuing decades there have been numerous secret attempts to recreate Erskine's treatment, only to have predominantly all end in failure. Even worse, the attempts have instead often created psychopathic supervillains of which Captain America's 1950s imitator and Nuke are the most notorious examples.

Rogers' battle experience and training make him an expert tactician and an excellent field commander, with his teammates frequently deferring to his orders in battle. Rogers' reflexes and senses are also extraordinarily keen. He has blended judo, western boxing, kickboxing, and gymnastics into his own unique fighting style and is a master of multiple martial arts. Years of practice with his indestructible shield make him able to aim and throw it with almost unerring accuracy. His skill with his shield is such that he can attack multiple targets in succession with a single throw or even cause a boomerang-like return from a throw to attack an enemy from behind. In canon, he is regarded by other skilled fighters as one of the best hand-to-hand combatants in the Marvel Universe. Although the super-soldier serum is an important part of his strength, Rogers has shown himself still sufficiently capable against stronger opponents, even when the serum has been deactivated reverting him to his pre-Captain America physique.

Rogers has vast U.S. military knowledge and is often shown to be familiar with ongoing, classified Defense Department operations. He is an expert in combat strategy, survival, acrobatics, military strategy, piloting, and demolitions. Despite his high profile as one of the world's most popular and recognizable superheroes, Rogers also has a broad understanding of the espionage community, largely through his ongoing relationship with S.H.I.E.L.D. He occasionally makes forays into relatively mundane career fields, including commercial arts, comic book artistry, education (high school history), and law enforcement.

Weapons and equipment

Captain America uses several shields throughout his history, the most prevalent of which is a nigh-indestructible disc-shaped shield made from an experimental alloy of steel and the fictional vibranium. The shield was cast by American metallurgist Dr. Myron MacLain, who was contracted by the U.S. government, from orders of President Franklin Delano Roosevelt, to create an impenetrable substance to use for tanks during World War II. This alloy was created by accident and never duplicated, although efforts to reverse-engineer it resulted in the discovery of adamantium.

Captain America often uses his shield as an offensive throwing weapon. The first instance of Captain America's trademark ricocheting shield-toss occurs in Stan Lee's first comics writing, the two-page text story "Captain America Foils the Traitor's Revenge" in ''Captain America Comics'' #3 (May 1941).

The legacy of the shield among other comics characters includes the time-traveling mutant superhero Cable telling Captain America that his shield still exists in one of the possible futures; Cable carries it into battle and brandishes it as a symbol.

When without his trademark shield, Captain America sometimes uses other shields made from less durable metals such as steel, or even a photonic energy shield designed to mimic a vibranium matrix. Rogers, having relinquished his regular shield to Barnes, carried a variant of the energy shield which can be used with either arm, and used to either block attacks or as an improvised offensive weapon able to cut through metal with relative ease. Much like his vibranium shield, the energy shield can also be thrown, including ricocheting off multiple surfaces and returning to his hand.

Captain America's uniform is made of a fire-retardant material, and he wears a lightweight, bulletproof "duralumin" scale armor beneath his uniform for added protection. Originally, Rogers' mask was a separate piece of material, but an early engagement had it dislodged, thus almost exposing his identity. To prevent a recurrence of the situation, Rogers modified the mask with connecting material to his uniform, an added benefit of which was extending his armor to cover his previously exposed neck. As a member of the Avengers, Rogers has an Avengers priority card, which serves as a communications device.

Captain America has also used a custom specialized motorcycle, modified by the S.H.I.E.L.D. weapons laboratory, as well as a custom-built battle van, constructed by the Wakanda Design Group with the ability to change its color for disguise purposes (red, white and blue), and fitted to store and conceal the custom motorcycle in its rear section with a frame that allows Rogers to launch from the vehicle riding it.

Enemies

Captain America has faced numerous foes in over 60 years of published adventures. Many of his recurring foes embody ideals contrary to the American values Captain America is shown to strive for and believe. Some examples of these opposing values are Nazism (Red Skull, Baron Zemo), Neo-Nazism (Crossbones, Doctor Faustus), technocratic fascism (AIM, Arnim Zola), Communism (Aleksander Lukin), anarchism (Flag Smasher and Viper), and international and domestic terrorism (HYDRA).

Other versions

In other media

Collected editions

The contents of ''Captain America Comics'' #1-10 were previously published as ''Captain America: The Classic Years'' two hardcover slipcase set in 1990. These were later re-issued as trade paperbacks in the late 1990s once again under the title ''Captain America: The Classic Years'' featuring new cover art by Kevin Maguire re-creating classic covers. Previous editions of ''War and Remembrance'', ''The Bloodstone Hunt'', ''Operation Rebirth'', ''Man Without a Country'', and ''To Serve and Protect'' were released prior to 2010 editions leading up to the Captain America: The First Avenger feature film.

! Title !! Material collected !! ISBN
''Marvel Masterworks Golden Age Captain America Comics, Vol. 1''	''Captain America Comics'' #1-4
''Marvel Masterworks Golden Age Captain America Comics, Vol. 2''	''Captain America Comics'' #5-8
''Marvel Masterworks Golden Age Captain America Comics, Vol. 3''	''Captain America Comics'' #9-12
''Marvel Masterworks Atlas Era Heroes, Vol. 1''	Includes Captain America stories from ''Astonishing'' #3-6, ''Young Men'' #24-28
''Marvel Masterworks Atlas Era Heroes, Vol. 2''	Includes Captain America stories from ''Men's Adventures'' #27-28, ''Captain America Comics'' #76-78
''Essential Captain America, Vol. 1''	''Tales of Suspense'' #59-99; ''Captain America'' #100-102
''Essential Captain America, Vol. 2''	''Captain America'' #103-126
''Essential Captain America, Vol. 3''	''Captain America'' #127-156
''Essential Captain America, Vol. 4''	''Captain America'' #157-186
''Essential Captain America, Vol. 5''	''Captain America'' #187-205, ''Annual'' #3, ''Marvel Treasury Special: Captain America's Bicentennial Battles''
''Essential Captain America, Vol. 6''	''Captain America'' #206-230, ''Annual'' #4; ''Incredible Hulk'' #232
''Captain America and the Falcon: Secret Empire''	''Captain America'' #169-176
''Captain America and the Falcon: Nomad''	''Captain America'' #177-186
''Captain America and the Falcon: Madbomb''	''Captain America'' #193-200
''Captain America: Bicentennial Battles''	''Captain America'' #201-205; ''Bicentennial Battles'' #1
''Captain America and the Falcon: The Swine''	''Captain America'' #206-214, ''Annual'' #3-4
''Captain America: War and Remembrance''	''Captain America'' #247-255
''Captain America: Deathlok Lives''	''Captain America'' #286-288
''Captain America: Scourge of the Underworld''	''Captain America'' #318-320, back-up stories from #358-362; ''USAgent'' #1-4;
''Captain America: The Captain''	''Captain America'' #332-350; ''Iron Man'' #228
''Captain America: The Bloodstone Hunt''	''Captain America'' #357-364
''Captain America: Streets of Poison''	''Captain America'' #372-378
''Avengers: Galactic Storm, Book 1''	''Captain America'' #398-399, ''Avengers West Coast'' #80-81, ''Quasar'' #32-33, ''Wonder Man'' #7-8, ''Avengers'' #345-346, ''Iron Man'' #278 and ''Thor'' #445
''Avengers: Galactic Storm, Book 2''	''Iron Man'' #279, ''Thor'' #446, ''Captain America'' #400-401, ''Avengers West Coast'' #82, ''Quasar'' #34-35, ''Wonder Man'' #9, ''Avengers'' #347, ''What If?'' #55-56
''Captain America: Man and Wolf''	''Captain America'' #402-408
''Captain America: Fighting Chance: Denial''	''Captain America'' #425-430
''Captain America: Fighting Chance: Acceptance''	''Captain America'' #431-437
''Captain America: Operation Rebirth''	''Captain America'' #444-448
''Captain America: Man Without a Country''	''Captain America'' #450-453
''Heroes Reborn: Captain America''	''Captain America'' vol. 2, #1-12
''Captain America: To Serve and Protect''	''Captain America'' vol. 3, #1-7
''Captain America: American Nightmare''	''Captain America'' vol. 3, #8-13, ''Annual 1998''
''Captain America: Red Glare''	''Captain America'' vol. 3, #14-19, ''Captain America Spotlight''
''Captain America: Sentinel of Liberty''	''Captain America: Sentinel of Liberty'' #1-12
''Captain America: The New Deal''	''Captain America'' vol. 4, #1-6
''Captain America: The Extremists''	''Captain America'' vol. 4, #7-11
''Captain America: Ice''	''Captain America'' vol. 4, #12-16
''Captain America: Cap Lives''	''Captain America'' vol. 4, #17-20; ''Tales of Suspense'' #66
''Captain America: Homeland''	''Captain America'' vol. 4, #21-28
''Captain America and the Falcon: Two Americas''	''Captain America and the Falcon'' #1-4
''Avengers Disassembled: Captain America''	''Captain America'' vol. 4, #29-32; ''Captain America and the Falcon'' #5-7
''Captain America and the Falcon: Brothers and Keepers''	''Captain America and the Falcon'' #8-14
''Captain America: Winter Soldier, Book One''	''Captain America'' vol. 5, #1-7
''Captain America: Winter Soldier, Book Two''	''Captain America'' vol. 5, #8-9, #11-14
''Captain America: Red Menace, Book One''	''Captain America'' vol. 5, #15-17; ''Captain America 65th Anniversary Special''
''Captain America: Red Menace, Book Two''	''Captain America'' vol. 5, #18-21
''Captain America: Civil War''	''Captain America'' vol. 5, #22-24; ''Winter Soldier: Winter Kills''
''The Death of Captain America, Vol. 1: The Death of the Dream''	''Captain America'' vol. 5, #25-30
''The Death of Captain America, Vol. 2: The Burden of Dreams''	''Captain America'' vol. 5, #31-36
''The Death of Captain America, Vol. 3: The Man Who Bought America''	''Captain America'' vol. 5, #37-42
''Captain America: The Man with No Face''	''Captain America'' vol. 5, #43-48
''Captain America: Road to Reborn'' (HC)	''Captain America'' #600-601; vol. 5, #49-50
''Captain America: Reborn'' (HC)	''Captain America: Reborn'' #1-6
''Captain America: Two Americas''	''Captain America'' #602-605; ''Who Will Wield the Shield?''
''Captain America: No Escape''	''Captain America'' #606-610
''Steve Rogers: Super Soldier''	''Steve Rogers: Super-Soldier'' #1-4
''Captain America: The Trial of Captain America	''Captain America'' #611-615 and #615.1, and material from CAPTAIN AMERICA 70TH ANNIVERSARY MAGAZINE
''Captain America: Prisoner of War	''Captain America'' #616-619
Miscellaneous
''Captain America: The Legacy of Captain America''	''Captain America Comics'' (1941) #1; ''What If?'' (1977) #4; ''Captain America'' #155, #333; ''Captain America'' vol. 5, #34; material from ''Captain America'' (1968) #178-183	SC:
''Captain America Vs. The Red Skull''	''Captain America Comics'' (1941) #1; ''Tales Of Suspense'' #79-81; and ''Captain America'' #143, #226-227, #261-263 and #370; and material from ''Captain America Annual'' #13 and ''Captain America: Red, White & Blue'' #1''	SC:

References

Further reading

External links

Captain America Library

Captain America: The First Avenger (July 2011)

"Captain America: An all-American hero goes back to his roots" - Aug 2011 review by Sasha Simic

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ar:كابتن أمريكا br:Captain America ca:Capità Amèrica de:Captain America el:Κάπταιν Αμέρικα es:Capitán América eu:Captain America fr:Captain America gl:Captain America ko:캡틴 아메리카 it:Capitan America he:קפטן אמריקה ka:კაპიტანი ამერიკა lv:Kapteinis Amerika lt:Kapitonas Amerika hu:Amerika Kapitány nl:Captain America ja:キャプテン・アメリカ no:Captain America pl:Kapitan Ameryka pt:Capitão América ru:Капитан Америка simple:Captain America sk:Captain America fi:Kapteeni Amerikka sv:Captain America tl:Captain America th:กัปตันอเมริกา tr:Kaptan Amerika vi:Captain America zh:美國隊長

name	Woody Allen
birth name	Allen Stewart Konigsberg
birth date	December 01, 1935
birth place	Brooklyn, New York, U.S.
influences	Charlie Chaplin
occupation	ActorDirectorScreenwriterComedianMusicianPlaywright
years active	1950–present
spouse
relatives	Letty Aronson (sister)
website	http://www.woodyallen.com/

Woody Allen (born Allen Stewart Konigsberg; December 1, 1935) is an American screenwriter, director, actor, comedian, jazz musician, author, and playwright.

Allen's films, ranging from tragedies to screwball comedies, have made him a notable American director. He is also distinguished by his rapid rate of production and his very large body of work. Allen writes and directs his movies and has also acted in the majority of them. For inspiration, Allen draws heavily on literature, sexuality, philosophy, psychology, Jewish identity, and the history of cinema, among a wealth of other fields of interest.

Allen developed a passion for music early on and is a jazz clarinetist. What began as a teenage avocation has led to regular public performances at various small venues in his hometown of Manhattan, with occasional appearances at various jazz festivals. Allen joined the Preservation Hall Jazz Band and the New Orleans Funeral Ragtime Orchestra in performances that provided the film score for his 1973 comedy ''Sleeper'', and performed in a rare European tour in 1996, which became the subject of the documentary ''Wild Man Blues''.

Early life

Allen was born and raised in New York City to an ethnic and observant Jewish family, the son of Nettie (née Cherrie; November 8, 1906 – January 27, 2002), a bookkeeper at her family's delicatessen, and Martin Konigsberg (December 25, 1900 – January 13, 2001), a jewelry engraver and waiter. His family was Jewish and his grandparents were immigrants who spoke Yiddish, Hebrew, and German; both of his parents were born and raised on the Lower East Side of Manhattan. Allen has a sister, Letty, who was born in 1943 and raised in Midwood, Brooklyn. His childhood was not particularly happy: his parents did not get along, and he had a rocky relationship with his stern, temperamental mother. Allen spoke Yiddish during his early years. After attending Hebrew school for eight years, he went to Public School 99 (now The Isaac Asimov School for Science and Literature) and to Midwood High School. During that time, he lived in an apartment at 1402 Avenue K, between East 14th and 15th Streets. Unlike his comic persona, he was more interested in baseball than school and his strong arms ensured he was the first to be picked for a team. He impressed students with his extraordinary talent at card and magic tricks. To raise money he began writing jokes (or "gags") for the agent David O. Alber, who sold them to newspaper columnists. According to Allen, his first published joke read: "Woody Allen says he ate at a restaurant that had O.P.S. prices – over people's salaries."

He began to call himself Woody Allen. He would later joke that when he was young he was often sent to inter-faith summer camps, where he "was savagely beaten by children of all races and creeds." At the age of 17, he legally changed his name to Heywood Allen. He was already earning more than both of his parents combined.

After high school, he attended New York University (NYU), where he studied communication and film. He later briefly attended City College of New York and soon flunked out. Later, he learned via self-study rather than the classroom. He eventually taught at The New School. He also studied with writing teacher Lajos Egri.

Career

Comedy writer

He became a full-time writer for Herb Shriner, earning $75 a week at first. At the age of 19, he started writing scripts for ''The Ed Sullivan Show'', ''The Tonight Show'', specials for Sid Caesar post-''Caesar's Hour'' (1954–1957), and other television shows. By the time he was working for Caesar, he was making $1500 a week; with Caesar he worked alongside Danny Simon, whom Allen credits for helping him to form his writing style.

In 1961, he started a new career as a stand-up comedian, debuting in a Greenwich Village club called the Duplex. Examples of Allen's standup act can be heard on the albums ''Standup Comic'' and ''Nightclub Years 1964–1968'' (including his classic routine entitled "The Moose"). Together with his managers, Allen developed a neurotic, nervous, and intellectual persona for his stand-up routine, a successful move which secured regular gigs for him in nightclubs and on television. Allen brought innovation to the comedy monologue genre and his stand-up comedy is considered influential.

Allen wrote for the popular ''Candid Camera'' television show, and appeared in some episodes.

Allen started writing short stories and cartoon captions for magazines such as ''The New Yorker''; he was inspired by the tradition of four prominent ''New Yorker'' humorists, S. J. Perelman, George S. Kaufman, Robert Benchley and Max Shulman, whose material he modernized. Allen is also an accomplished author having published four collections of his short pieces and plays. These are ''Getting Even,'' ''Without Feathers'', ''Side Effects'' and ''Mere Anarchy.'' His early comic fiction was heavily influenced by the zany, pun-ridden humour of S.J. Perelman.

Playwright

He also became a successful Broadway playwright and wrote ''Don't Drink the Water'' in 1966. It starred Lou Jacobi, Kay Medford, Anita Gillette and Allen's future movie co-star Anthony Roberts. A film adaptation of the play, directed by Howard Morris, was released in 1969 starring Jackie Gleason. Because he was not particularly happy with the 1969 film version of his play, in 1994 Allen directed and starred in a third version for television, with Michael J. Fox and Mayim Bialik.

The next play Allen wrote that was produced on Broadway was ''Play It Again, Sam'', which he also starred in. The play opened on February 12, 1969, and ran for 453 performances. It also featured Diane Keaton and Anthony Roberts. Allen, Keaton and Roberts would reprise their roles in the film version of the play, directed by Herbert Ross. For its March 21 issue, ''Life'' featured Allen on its cover. He has written several one-act plays, including 'Riverside Drive' and 'Old Saybrook' which both explore well-known Allen themes.

Early films: formless comedy

All of Allen's early films were ''formless comedies'' like those of the Marx Brothers. As all pure comedies, they needed only a thin plot, and were constituted entirely of comic inventions, a non-stop sequence of sight gags, one-liners and slapstick.

His first movie was the Charles K. Feldman production ''What's New Pussycat?'' in 1965, for which he wrote the initial screenplay. Warren Beatty hired him to re-write a script and to appear in a small part in the movie. Over the course of the re-write, Beatty's role was lessened and Allen's increased. Beatty was upset and quit the production. Peter O'Toole was hired for the Beatty role, and Peter Sellers was brought in as well; Sellers was a big enough star to demand many of Woody Allen's best lines/scenes, prompting hasty re-writes. Because of this experience, Allen realized the importance of having control of his own writing. Despite the fact that most of his movies do not gross well and the fact that due to the small amounts of money his producers are able to raise he asks his actors to work for far less than what they would normally be paid, Allen remains one of a handful of writers and directors who has been able to maintain complete control over his own work.

Allen's first directorial effort was ''What's Up, Tiger Lily?'' (1966, co-written with Mickey Rose), in which an existing Japanese spy movie – ''Kokusai himitsu keisatsu: Kagi no kagi'' (1965), "International Secret Police: Key of Keys" – was redubbed in English by Allen and his friends with entirely new, comic dialogue.

Allen also appeared in Feldman's follow-up to ''What's New Pussycat?'', the James Bond spoof ''Casino Royale''. A number of writers contributed to the film, but once again Allen scripted his own sequences, although in this case uncredited.

Allen directed, starred in, and wrote ''Take the Money and Run'' in 1969. That same year he starred in his own TV special, ''The Woody Allen Special.'' On the show he performed standup comedy routines before a live audience and acted in a sketch with Candice Bergen in which they appeared nude but their bodies were kept hidden from view by the camera. The special also had guest appearances by the pop vocal group The 5th Dimension singing their hit singles "Workin' On A Groovy Thing" and "Wedding Bell Blues". The show's sponsor, Libby's, broadcast comical commercials starring Tony Randall as a detective.

From 1971 to 1975 Allen co-wrote, directed, and starred in ''Bananas'', ''Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask)'', ''Sleeper'', and ''Love and Death''. ''Take the Money and Run'' and ''Bananas'' were co-written by his childhood friend, Mickey Rose.

Lubitsch-like comedies

After his initial pure comedies in the tradition of the Marx Brothers, Allen switched to Lubitsch-like comedies, adding a plot and reducing the comic inventions. Allen settled on this genre for his subsequent career. In 1972, he wrote and starred in the film version of ''Play It Again, Sam'', which was directed by Herbert Ross. In 1976, he starred in ''The Front'' (directed by Martin Ritt) a humorous and poignant account of Hollywood blacklisting during the 1950s.

''Annie Hall'' won four Academy Awards in 1977, including Best Picture and Best Actress in a Leading Role for Diane Keaton. ''Annie Hall'' set the standard for modern romantic comedy and also started a minor fashion trend with the clothes worn by Diane Keaton in the film (the masculine clothing, such as ties with cardigans, was actually Keaton's own). While in production, its working title was "Anhedonia", a term that means the inability to feel pleasure and its plot revolved around a murder mystery. Allen re-cut the movie after production ended to focus on the romantic comedy between Allen's character, Alvy Singer, and Keaton's character, Annie Hall. The new version, retitled ''Annie Hall'' (named after Keaton, Hall being her original last name and Annie a nickname), still deals with the theme of the inability to feel pleasure. The film is ranked at No. 35 on the ''American Film Institute'' "100 Best Movies" and at No. 4 on the AFI list of "100 Best Comedies".

''Manhattan,'' released in 1979, is a black-and-white film that can be viewed as an homage to New York City. As in many other Allen films, the protagonists are upper-middle class academics. Even though it makes fun of pretentious intellectuals, the story is packed with obscure references which makes it less accessible to a general audience. The love-hate opinion of cerebral persons found in ''Manhattan'' is characteristic of many of Allen's movies including ''Crimes and Misdemeanors'' and ''Annie Hall.'' ''Manhattan'' focuses on the complicated relationship between a middle-aged Isaac Davis (Allen) and a 17-year-old Tracy (Mariel Hemingway).

Between ''Annie Hall'' and ''Manhattan'', Allen wrote and directed the dark drama ''Interiors'' (1978), in the style of the late Swedish director Ingmar Bergman, one of Allen's chief influences. ''Interiors'' represented a departure from Allen's "early, funny" comedies (a line from 1980's ''Stardust Memories'').

1980s

Allen's 1980s films, even the comedies, have somber and philosophical undertones. Some are influenced by the works of European directors, notably Ingmar Bergman and Federico Fellini. ''September'' resembles Bergman's ''Autumn Sonata'', and Allen uses many elements from Bergman's ''Wild Strawberries'' in ''Another Woman''. Similarly, the Federico Fellini classic ''Amarcord'' strongly inspired ''Radio Days''.

''Stardust Memories'' features Sandy Bates, a successful filmmaker played by Allen, who expresses resentment and scorn for his fans. Overcome by the recent death of a friend from illness, the character states, "I don't want to make funny movies any more" and a running gag has various people (including a group of visiting space aliens) telling Bates that they appreciate his films, "especially the early, funny ones." Allen believes this to be one of his best films.

Allen combined tragic and comic elements in such films as ''Hannah and Her Sisters'' and ''Crimes and Misdemeanors'', in which he tells two stories that connect at the end. He also produced a vividly idiosyncratic tragi-comical parody of documentary, ''Zelig''.

He made three films about show business: ''Broadway Danny Rose'', in which he plays a New York show business agent, ''The Purple Rose of Cairo'', a movie that shows the importance of the cinema during the Depression through the character of the naive Cecilia, and ''Radio Days'', which is a film about his childhood in Brooklyn and the importance of the radio. ''Purple Rose'' was named by ''Time Magazine'' as one of the 100 best films of all time and Allen has described it as one of his three best films, along with ''Stardust Memories'' and ''Match Point.'' (Allen defines them as "best" not in terms of quality but because they came out the closest to his original vision.)

In 1989, Allen teamed up with directors Francis Ford Coppola and Martin Scorsese to make ''New York Stories'', an anthology film about New Yorkers. Allen's short, ''Oedipus Wrecks'', is about a neurotic lawyer and his critical mother. His short pleased critics, but ''New York Stories'' bombed at the box office.

1990s

His 1992 film ''Shadows and Fog'' is a black-and-white homage to the German expressionists and features the music of Kurt Weill. Allen then made his critically acclaimed drama ''Husbands and Wives'' (1992), which received two Oscar nominations: Best Supporting Actress for Judy Davis and Best Original Screenplay for Allen. His film ''Manhattan Murder Mystery'' (1993) combined suspense with dark comedy and marked the return of Diane Keaton, Alan Alda and Anjelica Huston.

He returned to lighter movies like ''Bullets Over Broadway'' (1994), which earned him an Academy Award nomination for Best Director, followed by a musical, ''Everyone Says I Love You'' (1996). The singing and dancing scenes in ''Everyone Says I Love You'' are similar to many musicals starring Fred Astaire and Ginger Rogers. The comedy ''Mighty Aphrodite'' (1995), in which Greek drama plays a large role, won an Academy Award for Mira Sorvino. Allen's 1999 jazz-based comedy-drama ''Sweet and Lowdown'' was also nominated for two Academy Awards for Sean Penn (Best Actor) and Samantha Morton (Best Supporting Actress). In contrast to these lighter movies, Allen veered into darker satire towards the end of the decade with ''Deconstructing Harry'' (1997) and ''Celebrity'' (1998). Allen made his only sitcom "appearance" to date (2009) via telephone on the show ''Just Shoot Me!'' in a 1997 episode, "My Dinner with Woody" which paid tribute to several of his films. Allen also provided the lead voice in the 1998 animated film ''Antz'', which featured many actors he had worked with and had Allen play a character that was similar to his earlier neurotic roles.

2000s

''Small Time Crooks'' (2000) (a remake of the 1942 film comedy ''Larceny, Inc.'', written by S. J. Perelman and starring Edward G. Robinson) was his first film with the DreamWorks studio and represented a change in direction: Allen began giving more interviews and made an attempt to return to his slapstick roots. ''Small Time Crooks'' was a relative financial success, grossing over $17 million domestically but Allen's next four films floundered at the box office, including Allen's most expensive film, ''The Curse of the Jade Scorpion'' (with a budget of $33 million). ''Hollywood Ending'', ''Anything Else'', and ''Melinda and Melinda'' were given "rotten" ratings from film-review website Rotten Tomatoes and each earned less than $4 million domestically. Some critics claimed that Allen's films since 1999's ''Sweet and Lowdown'' were subpar and expressed concern that Allen's best years were now behind him. Others have been less harsh; reviewing the little-liked ''Melinda and Melinda'', Roger Ebert wrote, "I cannot escape the suspicion that if Woody had never made a previous film, if each new one was Woody's Sundance debut, it would get a better reception. His reputation is not a dead shark but an albatross, which with admirable economy Allen has arranged for the critics to carry around their own necks." Woody gave his godson Quincy Rose a small part in ''Melinda and Melinda''. He was elected a Fellow of the American Academy of Arts and Sciences in 2001. ''Match Point'' (2005) was one of Allen's most successful films of the decade and generally received very positive reviews. Set in London, it starred Jonathan Rhys-Meyers and Scarlett Johansson. It is also markedly darker than Allen's first four films with DreamWorks SKG. In ''Match Point'', Allen shifts his focus from the intellectual upper class of New York to the moneyed upper class of London. It earned more than $23 million domestically (more than any of his films in nearly 20 years) and over $62 million in international box office sales. ''Match Point'' earned Allen his first Academy Award nomination since 1998 for Best Writing – Original Screenplay and also earned directing and writing nominations at the Golden Globes, his first Globe nominations since 1987. In an interview with ''Premiere Magazine'', Allen stated this was the best film he has ever made.

Allen returned to London to film ''Scoop'', which also starred Johansson, Hugh Jackman, Ian McShane, Kevin McNally and Allen himself. The film was released on July 28, 2006, and received mixed reviews. He has also filmed ''Cassandra's Dream'' in London. ''Cassandra's Dream'' was released in November 2007 and stars Colin Farrell, Ewan McGregor and Tom Wilkinson.

After finishing his third London film, Allen headed to Spain. He reached an agreement to film ''Vicky Cristina Barcelona'' in Avilés, Barcelona and Oviedo, where shooting started on July 9, 2007. The movie stars Scarlett Johansson, Javier Bardem, Rebecca Hall and Penélope Cruz. Speaking of his experience there, Allen said: "I'm delighted at being able to work with Mediapro and make a film in Spain, a country which has become so special to me." ''Vicky Cristina Barcelona'' was well received, winning "Best Musical or Comedy" at the Golden Globe awards. Penélope Cruz received the Academy Award for Best Supporting Actress for her role in the film.

Allen has said that he "survives" on the European market. Audiences there have tended to be more receptive to Allen's films, particularly in Spain, France and Italy; countries where he has a large audience (something joked about in ''Hollywood Ending''). "In the United States things have changed a lot, and it's hard to make good small films now", Allen said in a 2004 interview. "The avaricious studios couldn't care less about good films – if they get a good film they're twice as happy but money-making films are their goal. They only want these $100 million pictures that make $500 million."

In April 2008, he began filming for a movie focused more towards older audiences starring Larry David, Patricia Clarkson and Evan Rachel Wood. Released in 2009, ''Whatever Works'', described as a dark comedy, follows the story of a botched suicide attempt turned messy love triangle. ''Whatever Works'' was written by Allen in the 1970s and the character now played by Larry David was originally written for Zero Mostel, who died the year ''Annie Hall'' came out.

2010s

''You Will Meet a Tall Dark Stranger'', filmed in London, stars Antonio Banderas, Josh Brolin, Anthony Hopkins, Anupam Kher, Freida Pinto and Naomi Watts. Filming started in July 2009. It was released theatrically in the US on September 23, 2010, following a Cannes debut in May 2010 and a screening at the Toronto International Film Festival on September 12, 2010. Allen announced that his next film would be titled ''Midnight in Paris'', starring Adrien Brody, Owen Wilson, Marion Cotillard, Rachel McAdams, Kathy Bates, Michael Sheen, Gad Elmaleh and French First Lady Carla Bruni. The film followed a young engaged couple in Paris who see their lives transformed. It debuted at the 2011 Cannes Film Festival on May 12, 2011. Allen said he wanted to "show the city emotionally", during the press conference."I just wanted it to be the way I saw Paris – Paris through my eyes," he added. ''Midnight in Paris'' was critically acclaimed and is now Allen's most successful film at the Box Office in the United States since ''Hannah and Her Sisters''. His next film, ''The Bop Decameron'', is a Rome set comedy slated for a 2012 release. Loosely inspired by Giovanni Boccaccio's ''The Decameron'' the film will be structured in four different vignettes featuring dialogue in both Italian and English. The film will mark Allen's return to acting since his last role in ''Scoop''.

Future projects

For many years, Allen has wanted to make a film about the origins of jazz in New Orleans. The film, tentatively titled ''American Blues'', would follow the vastly different careers of Louis Armstrong and Sidney Bechet. Allen has stated that the film would cost between $80 and $100 million and is therefore unlikely to be made.

On May 18, 2011, it was announced that Woody Allen had written a one act play called ''Honeymoon Motel'', one in a series of one act plays on Broadway called ''Relatively Speaking''. Also contributing to the effort are Elaine May and Ethan Coen. John Turturro has signed on to direct the three miniplays. ''Relatively Speaking'' will debut in previews in September and open on Broadway in October 2011.

Distinction in the film world

Over the course of his career, Allen has received a considerable number of awards and distinctions in film festivals and yearly national film awards ceremonies, saluting his work as a director, screenwriter, and actor. When premiering his films at festivals, Allen does not screen his motion pictures in competition, thus deliberately taking them out of consideration for potential awards.

Allen's film ''Annie Hall'' won four Academy Awards in 1977, including Best Picture.

Allen won the 1978 O. Henry Award for his short story ''The Kugelmass Episode'', published in ''The New Yorker'' on May 2, 1977.

Allen twice won the César Award for Best Foreign Film, the first in 1980 for ''Manhattan'' and the second in 1986 for ''The Purple Rose of Cairo''. Seven other of his movies were nominated for the prize.

In 1986, Allen won the Golden Globe for Best Screenplay for ''The Purple Rose of Cairo'', and in 2009 he won the same award for Best Motion Picture – Comedy or Musical for ''Vicky Cristina Barcelona''. He was also nominated four times as Best Director, four times for Best Screenplay and twice for Best Actor (Comedy/musical).

At the 1995 Venice Film Festival, Allen received a Career Golden Lion for lifetime achievement.

In 1996, Allen received a lifetime achievement award from the Directors Guild of America.

In 2002, Allen won the Prince of Asturias Award. Subsequently, the city of Oviedo, Spain, erected a life-size statue of Allen. In 2002, Allen received the ''Palme des Palmes'', a special lifetime achievement award granted by the Cannes Festival and whose sole other recipient is Ingmar Bergman.

In a 2005 UK poll ''The Comedian's Comedian'', Allen was voted the third greatest comedy act ever by fellow comedians and comedy insiders.

In June 2007, Allen received a PhD degree Honoris Causa from Pompeu Fabra University in Barcelona, Spain.

Academy Awards

Woody Allen has won three Academy Awards and been nominated a total of 21 times: 14 as a screenwriter, six as a director, and one as an actor. He has more screenwriting Academy Award nominations than any other writer; all are in the "Best Original Screenplay" category. He is tied for fifth all-time with six Best Director nominations. His actors have regularly received both nominations and Academy Awards for their work in Allen films, particularly in the Best Supporting categories.

''Annie Hall'' won four Academy Awards (Best Picture, Best Screenplay, Best Director and Best Actress). The film received a fifth nomination, for Allen as Best Actor. ''Hannah and Her Sisters'' won three, for Best Screenplay, Best Supporting Actor and Best Supporting Actress categories; it was nominated in four other categories, including Best Picture and Best Director.

Despite friendly recognition from the Academy, Allen has consistently refused to attend the ceremony or acknowledge his Oscar wins. He broke this pattern only once. At the Academy Awards ceremony in 2002, Allen made an unannounced appearance, making a plea for producers to continue filming their movies in New York City after the 9–11 attacks, where he stated, "I didn't have to present anything. I didn't have to accept anything. I just had to talk about New York City." He was given a standing ovation before introducing a montage of movie clips featuring New York.

Five actors have won six Academy Awards for their work in Allen films: Diane Keaton (Best Actress, ''Annie Hall''), Michael Caine (Best Supporting Actor, ''Hannah and Her Sisters''), Dianne Wiest (Best Supporting Actress, ''Hannah and Her Sisters'' and ''Bullets Over Broadway''), Mira Sorvino (Best Supporting Actress, ''Mighty Aphrodite''), and Penélope Cruz (Best Supporting Actress, ''Vicky Cristina Barcelona'').

Ten actors have received Academy Award nominations for their work in Allen films: Allen himself (Best Actor, ''Annie Hall''), Geraldine Page (Best Actress, ''Interiors''), Martin Landau (Best Supporting Actor, ''Crimes and Misdemeanors''), Chazz Palminteri (Best Supporting Actor, ''Bullets Over Broadway''), Maureen Stapleton (Best Supporting Actress, ''Interiors''), Mariel Hemingway (Best Supporting Actress, ''Manhattan''), Judy Davis (Best Supporting Actress, ''Husbands and Wives''), Jennifer Tilly (Best Supporting Actress, ''Bullets Over Broadway''), Sean Penn (Best Actor, ''Sweet and Lowdown''), and Samantha Morton (Best Supporting Actress, ''Sweet and Lowdown'').

BAFTA

Allen has won a number of British Academy of Film and Television Arts (BAFTA) awards and nominations for best picture, best director, best actor, and best screenplay. In 1997, he received the honorary BAFTA Fellowship for his work.

1978 – Won – Best Film – ''Annie Hall''

1978 – Won – Best Screenplay – ''Annie Hall'' (with Marshall Brickman)

1978 – Won – Best Direction – ''Annie Hall''

1980 – Won – Best Film – ''Manhattan''

1980 – Won – Best Screenplay – ''Manhattan'' (with Marshall Brickman)

1985 – Won – Best Screenplay – ''Broadway Danny Rose''

1986 – Won – Best Film – ''The Purple Rose of Cairo''

1986 – Won – Best Screenplay – ''The Purple Rose of Cairo''

1987 – Won – Best Screenplay – ''Hannah and Her Sisters''

1987 – Won – Best Direction – ''Hannah and Her Sisters''

1993 – Won – Best Screenplay – ''Husbands and Wives''

Nominated for best film for ''Hannah and Her Sisters'', ''Radio Days'', ''Crimes and Misdemeanors''.

Nominated for best actor for ''Annie Hall'', ''Manhattan'', ''Hannah and Her Sisters''.

Nominated for best director for ''Manhattan'', ''Crimes and Misdemeanors''.

Nominated for best screenplay for ''Zelig'', ''Radio Days'', ''Crimes and Misdemeanors'', ''Bullets Over Broadway'' (with Douglas McGrath).

Theater

Although best known for his films, Allen has also enjoyed a very successful career in theater, starting as early as 1960 when Allen wrote sketches for the revue ''From A to Z''. His first great success was ''Don't Drink the Water'', which opened in 1968 and ran for 598 performances for almost two years on Broadway. His success continued with ''Play it Again, Sam'', which opened in 1969, starring Allen and Diane Keaton. The show played for 453 performances and was nominated for three Tony Awards, although none of the nominations were for Allen's writing or acting.

In the 1970s, Allen wrote a number of one-act plays, most notably ''God'' and ''Death'', which were published in his 1975 collection ''Without Feathers''.

In 1981, Allen's play ''The Floating Light Bulb'' opened on Broadway. The play was a critical success but a commercial flop. Despite two Tony Award nominations, a Tony win for the acting of Brian Backer (who also won the 1981 Theater World Award and a Drama Desk Award for his work), the play only ran for 62 performances. As of January 2008, it is the last Allen work that ran on Broadway.

After a long hiatus from the stage, Allen returned to the theater in 1995 with the one-act ''Central Park West'', an installment in an evening of theater known as ''Death Defying Acts'' that was also made up of new work by David Mamet and Elaine May.

For the next couple of years, Allen had no direct involvement with the stage, yet notable productions of his work were being staged. A production of ''God'' was staged at The Bank of Brazil Cultural Center in Rio de Janeiro, and theatrical adaptations of Allen's films ''Bullets Over Broadway'' and ''September'' were produced in Italy and France, respectively, without Allen's involvement. In 1997, rumors of Allen returning to the theater to write a starring role for his wife Soon-Yi Previn turned out to be false.

In 2003, Allen finally returned to the stage with ''Writer's Block'', an evening of two one-acts – ''Old Saybrook'' and ''Riverside Drive'' – that played Off-Broadway. The production marked the stage-directing debut for Allen. The production sold out its entire run.

Also that year, reports of Allen writing the book for a musical based on ''Bullets Over Broadway'' surfaced, but no show ever formulated. In 2004, Allen's first full-length play since 1981, ''A Second Hand Memory'', was directed by Allen and enjoyed an extended run Off Broadway.

In June 2007, it was announced that Allen would make two more creative debuts in the theater, directing a work that he did not write and directing an opera – a re-interpretation of Puccini's ''Gianni Schicchi'' for the Los Angeles Opera – which debuted at the Dorothy Chandler Pavilion on September 6, 2008. Commenting on his direction of the opera, Allen said, "I have no idea what I'm doing." His production of the opera opened the Festival of Two Worlds in Spoleto, Italy, in June 2009.

Marriages and relationships

Harlene Rosen

At age 19, Allen married 16-year-old Harlene Rosen. The marriage lasted from 1954 to 1959. ''TIME'' stated that the years were "nettling" and "unsettling."

Rosen, whom Allen referred to in his standup act as "the Dread Mrs. Allen," later sued Allen for defamation due to comments at a TV appearance shortly after their divorce. Allen tells a different story on his mid-1960s standup album ''Standup Comic.'' In his act, Allen said that Rosen sued him because of a joke he made in an interview. Rosen had been sexually assaulted outside her apartment and according to Allen, the newspapers reported that she "had been violated". In the interview, Allen said, "Knowing my ex-wife, it probably wasn't a moving violation". In a later interview on ''The Dick Cavett Show'', Allen brought the incident up again where he repeated his comments and stated that the amount that he was being sued for was "$1 million".

Louise Lasser

Allen married Louise Lasser in 1966. They divorced in 1969 and Allen did not marry again until 1997. Lasser starred in three Allen films after the divorce – ''Take the Money and Run'', ''Bananas'', and ''Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask)'' – and made a brief appearance in ''Stardust Memories''.

Diane Keaton

In 1970, Allen cast Diane Keaton in his Broadway show, ''Play It Again, Sam.'' During the run she and Allen became romantically involved and although they broke up after a year, she continued to star in a number of his films, including ''Sleeper'' as a futuristic poet and ''Love and Death'' as a composite character based on the novels of Tolstoy and Dostoevsky. ''Annie Hall'' was very important in Allen and Keaton's careers. It is said that the role was written specifically for her as Diane Keaton's given name is Diane Hall. She then starred in ''Interiors'' as a poet, followed by ''Manhattan''. In 1987, she had a cameo as a night-club singer in ''Radio Days'' and was chosen to replace Mia Farrow in the co-starring role for ''Manhattan Murder Mystery'' after Allen and Farrow began having troubles with their personal and working relationship while making this film. Keaton has not worked with Allen since ''Manhattan Murder Mystery.'' Since the end of their romantic relationship, Keaton and Allen have remained close friends.

Stacey Nelkin

The film ''Manhattan'' is said by the Los Angeles Times to be widely known to have been based on his romantic relationship with the actress Stacey Nelkin. Her bit part in ''Annie Hall'' ended up on the cutting room floor, and their relationship, though never publicly acknowledged by Allen, reportedly began when she was 17 years old and a student at New York's Stuyvesant High School.

Mia Farrow

Around 1980, Allen began a 12-year relationship with actress Mia Farrow, who had leading roles in several of his movies from 1982 to 1992. Farrow and Allen never married and kept separate homes but they adopted two children, Dylan Farrow (who changed her name to Eliza and is now known as Malone) and Moshe Farrow (now known as Moses); they also had one biological child, Satchel Farrow (now known as Ronan Seamus Farrow). Allen did not adopt any of Farrow's other family, including Soon-Yi Farrow Previn (the adopted daughter of Farrow and André Previn, now known as Soon-Yi Previn). Allen and Farrow separated in 1992 after Farrow discovered nude photographs that Allen had taken of 21-year-old Soon-Yi. In her autobiography, ''What Falls Away'' (New York: Doubleday, 1997), Farrow says that Allen admitted to a relationship with Soon-Yi.

After Allen and Farrow separated, a long public legal battle for the custody of their three children began. During the proceedings, Farrow alleged that Allen had sexually molested their adopted daughter Dylan, who was then seven years old. The judge eventually concluded that the sex abuse charges were inconclusive but called Allen's conduct with Soon-Yi "grossly inappropriate". She called the report of the team that investigated the issue "sanitized and therefore, less credible" and added that she had "reservations about the reliability of the report". Farrow won custody of their children. Allen was denied visitation rights with Malone and could see Ronan only under supervision. Moses, who was then 14, chose not to see Allen.

In a 2005 ''Vanity Fair'' interview, Allen estimated that, despite the scandal's damage to his reputation, Farrow's discovery of Allen's attraction to Soon-Yi Previn by finding nude photographs of her was "just one of the fortuitous events, one of the great pieces of luck in my life. [...] It was a turning point for the better." Of his relationship with Farrow, he said, "I'm sure there are things that I might have done differently. [...] Probably in retrospect I should have bowed out of that relationship much earlier than I did." In a report June 22, 2011, Reuters quoted Allen as saying, "What was the scandal? I fell in love with this girl, married her. We have been married for almost 15 years now. There was no scandal, but people refer to it all the time as a scandal and I kind of like that in a way because when I go I would like to say I had one real juicy scandal in my life."

Soon-Yi Previn

After ending his relationship with Mia Farrow in 1992, Allen continued his relationship with Soon-Yi Previn. Even though Allen never married Mia Farrow and was never Previn's legal stepfather, the relationship between Allen and Previn has often been referred to as a father involved romantically with his stepdaughter since he had been perceived as being in Previn's life in a father-like capacity. For example, in 1991, ''The New York Times'' described Allen's family life by reporting, "Few married couples seem more married. They are constantly in touch with each other, and not many fathers spend as much time with their children as Allen does." Despite assertions from Previn that Allen was never a father figure to her, the relationship became a scandal. At the time, Allen was 56 and Previn was 22. Asked whether their age difference was conducive to "a healthy, equal relationship," Allen said equality is not necessarily a requirement in a relationship and said, "The heart wants what it wants. There's no logic to those things. You meet someone and you fall in love and that's that."

Allen and Previn married on December 24, 1997, in the Palazzo Cavalli in Venice. The couple has adopted two daughters, naming them Bechet and Manzie Tio after jazz musicians Sidney Bechet, Manzie Johnson and Lorenzo Tio, Jr.

Allen and Farrow's biological son, Ronan Seamus Farrow, said of Allen: "He's my father married to my sister. That makes me his son and his brother-in-law. That is such a moral transgression. I cannot see him. I cannot have a relationship with my father and be morally consistent... I lived with all these adopted children, so they are my family. To say Soon-Yi was not my sister is an insult to all adopted children."

Clarinetist

thumb|250px|Woody Allen with Jerry Zigmont and Simon Wettenhall performing at Vienne Jazz Festival, [[Vienne, Isère|Vienne, France, September 20, 2003]]Allen is a passionate fan of jazz, which is often featured prominently in the soundtracks to his films. He began playing as a child and took his stage name from clarinetist Woody Herman. He has performed publicly at least since the late 1960s, notably with the Preservation Hall Jazz Band on the soundtrack of ''Sleeper''. One of his earliest televised performances was on ''The Dick Cavett Show'' on October 20, 1971.

Woody Allen and his New Orleans Jazz Band play every Monday evening at Manhattan's Carlyle Hotel, specializing in classic New Orleans jazz from the early twentieth century. The documentary film ''Wild Man Blues'' (directed by Barbara Kopple) documents a 1996 European tour by Allen and his band, as well as his relationship with Previn. The band has released two CDs: ''The Bunk Project'' (1993) and the soundtrack of ''Wild Man Blues'' (1997).

Allen and his band played the Montreal Jazz Festival on two consecutive nights in June 2008.

Significant works about Woody Allen

Apart from ''Wild Man Blues'' directed by Barbara Kopple, there are a number of other documentaries featuring Woody Allen, including the 2002 cable-television documentary ''Woody Allen: a Life in Film'', directed by ''Time Magazine'' film critic Richard Schickel, which interlaces interviews of Allen with clips of his films, and ''Meetin' WA'', a short interview of Allen by French director Jean-Luc Godard.

From 1976 to 1984, Stuart Hample wrote and drew ''Inside Woody Allen'', a comic strip based on Allen's film persona.

Psychoanalysis

Allen spent at least 30 years undergoing psychoanalysis. Many of his films contain references to psychoanalysis. Even the film ''Antz'', an animated feature in which Allen contributes the voice of lead character Z, opens with a classic piece of Allen analysis shtick.

''Moment Magazine'' says, "It drove his self-absorbed work." John Baxter, author of ''Woody Allen – A Biography'', wrote, "Allen obviously found analysis stimulating, even exciting."

Allen says he ended his psychoanalysis visits around the time he began his relationship with Previn. He says he still is claustrophobic and agoraphobic.

Filmography

Theater works

In addition to directing, writing, and acting in films, Allen has written and performed in a number of Broadway theater productions.

{|class="wikitable" |- ! style="width:33px;"| Year ! Title ! Credit ! Venue |- | style="text-align:center;"| 1960 | ''From A to Z'' | Writer (book) | style="text-align:center;"|Plymouth Theatre |- | style="text-align:center;"|1966 | ''Don't Drink the Water'' | Writer | style="text-align:center;"|Coconut Grove Theatre, Florida |- | style="text-align:center;"| 1969 | ''Play It Again, Sam'' | Writer, Performer (Allan Felix) | style="text-align:center;"|Broadhurst Theatre |- | style="text-align:center;"| 1975 | ''God'' | Writer | style="text-align:center;"|— |- | style="text-align:center;"| 1975 | ''Death'' | Writer | style="text-align:center;"|— |- | style="text-align:center;"| 1981 | ''The Floating Light Bulb'' | Writer | style="text-align:center;"|Vivian Beaumont Theatre |- | style="text-align:center;"| 1995 | ''Central Park West'' | Writer | style="text-align:center;"|Variety Arts Theatre |- | style="text-align:center;"| 2003 | ''Old Saybrook'' | Writer, Director | style="text-align:center;"|Atlantic Theatre Company |- | style="text-align:center;"| 2003 | ''Riverside Drive'' | Writer, Director | style="text-align:center;"|Atlantic Theatre Company |- | style="text-align:center;"| 2004 | ''A Second Hand Memory'' | Writer, Director | style="text-align:center;"|Atlantic Theater Company |- | style="text-align:center;"| 2011 | ''Honeymoon Motel'' | Writer | style="text-align:center;"|Brooks Atkinson Theatre |}

Bibliography

Published plays

''Don't Drink the Water: A comedy in two acts'' (1967), ASIN B0006BSWBW

''Play It Again, Sam'' (1969), ISBN 0-394-40663-X

''God: A comedy in one act'' (1975), ISBN 0-573-62201-9

''The Floating Light Bulb'' (1981)

''Three One-Act Plays: Riverside Drive / Old Saybrook / Central Park West'' (2003), ISBN 0-8129-7244-9

''Writer's Block: Two One-Act Plays'' (2005), ISBN 0-573-62630-8 (includes ''Riverside Drive'' and ''Old Saybrook'')

''A Second Hand Memory: A drama in two acts'' (2005)

The one-act plays ''God'' and ''Death'' are both included in Allen's 1975 collection ''Without Feathers'' (see below).

Short stories

''Getting Even'' (1971), ISBN 0-394-47348-5

''Without Feathers'' (1975), ISBN 0-394-49743-0

"The Whore of Mensa" (1974)

''Side Effects'' (1980), ISBN 0-394-51104-2

''Mere Anarchy'' (2007), ISBN 978-1-4000-6641-4

Anthologies

''Complete Prose of Woody Allen'' (1992), ISBN 0-517-07229-7. (Collection of Allen's short stories first published in ''Getting Even'', ''Without Feathers'' ''and Side Effects''.)

''The Insanity Defense: The Complete Prose''. New York: Random House Trade Paperbacks, 2007, ISBN 978-0812978117.

Chapbook

''Lunatic's Tale'' (1986), ISBN 1-55628-001-7 (Short story previously included in ''Side Effects''.)

See also

Woody Allen filmography

List of awards and nominations received by Woody Allen

Cinema of the United States

References

Further reading

Stardust Memories: Visiting Woody Michael Žantovský recalls a memorable meeting between two giants, Woody Allen and Václav Havel

Essay by Victoria Loy on Woody Allen's career

''The Essential Woody Allen''; Lauren Hill

''Fun With Woody, The Complete Woody Allen Quiz Book (Henry Holt)'', Graham Flashner

''The Importance of Being Famous: Behind the Scenes of the Celebrity Industrial Complex'' by Maureen Orth p233 ISBN 0-8050-7545-3

''Woody Allen – A Biography''; John Baxter (1999) ISBN 0-7867-0666-X

''Woody Allen: Conversations with Filmmakers Series'', ed. R. E. Kapsis and K. Coblentz, (2006) ISBN 1-57806-793-6

''Woody Allen''; Stephan Reimertz, (rororo-Monographie), Reinbek (2005) ISBN 3-499-50410-3 (in German)

''Woody Allen: Eine Biographie''; Stephan Reimertz, Reinbek (2000) ISBN 3-499-61145-7 (in German)

''Woody Allen On Location'', by Thierry de Navacelle (Morrow, 1987); a day-to-day account of the making of ''Radio Days'' (1987)

''Woody Allen on Woody Allen: In Conversation With Stig Bjorkman'' (1995), ISBN 0-8021-1556-X

''Woody Allen: Profane and Sacred''; Richard A. Blake (1995) ISBN 978-0-810-82993-0

External links

The Official Site of Woody Allen

in 2009

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African Americans (also referred to as Black Americans or Afro-Americans, and formerly as American Negroes) are citizens or residents of the United States who have origins in any of the black populations of Africa. In the United States, the terms are generally used for Americans with at least partial Sub-Saharan African ancestry. Most African Americans are the direct descendants of captive Africans who survived the slavery era within the boundaries of the present United States, although some are—or are descended from—immigrants from African, Caribbean, Central American or South American nations. As an adjective, the term is usually written as ''African-American''.

African-American history starts in the 17th century with indentured servitude in British America and progresses onto the election of Barack Obama as the 44th and current President of the United States. Between those landmarks there were other events and issues, both resolved and ongoing, that were faced by African Americans. Some of these were slavery, reconstruction, development of the African-American community, participation in the great military conflicts of the United States, racial segregation, and the Civil Rights Movement. African Americans make up the single largest racial minority in the United States and form the second largest racial group after whites in the United States.

History

Slavery era

The first recorded Africans in British North America (including most of the future United States) arrived in 1619 as indentured servants who settled in Jamestown, Virginia. As English settlers died from harsh conditions, more and more Africans were brought to work as laborers. Africans for many years were similar in legal position to poor English indenturees, who traded several years labor in exchange for passage to America. Africans could legally raise crops and cattle to purchase their freedom. They raised families, marrying other Africans and sometimes intermarrying with Native Americans or English settlers. By the 1640s and 1650s, several African families owned farms around Jamestown and some became wealthy by colonial standards.

The popular conception of a race-based slave system did not fully develop until the 18th century. The first black congregations and churches were organized before 1800 in both northern and southern cities following the Great Awakening. By 1775, Africans made up 20% of the population in the American colonies, which made them the second largest ethnic group after the English. During the 1770s, Africans, both enslaved and free, helped rebellious English colonists secure American Independence by defeating the British in the American Revolution. Africans and Englishmen fought side by side and were fully integrated. James Armistead, an African American, played a large part in making possible the 1781 Yorktown victory, which established the United States as an independent nation. Other prominent African Americans were Prince Whipple and Oliver Cromwell, who are both depicted in the front of the boat in George Washington's famous ''1776 Crossing the Delaware'' portrait.

By 1860, there were 3.5 million enslaved African Americans in the United States due to the Atlantic slave trade, and another 500,000 African Americans lived free across the country. In 1863, during the American Civil War, President Abraham Lincoln signed the Emancipation Proclamation. The proclamation declared that all slaves in states which had seceded from the Union were free. Advancing Union troops enforced the proclamation with Texas being the last state to be emancipated in 1865.

Reconstruction and Jim Crow

[[File:Jesse Owens1.jpg|thumb|right|Jesse Owens shook racial stereotypes both with Nazis and segregationists in the USA at the 1936 Berlin olympics.]] African Americans quickly set up congregations for themselves, as well as schools, community and civic associations, to have space away from white control or oversight. While the post-war reconstruction era was initially a time of progress for African Americans, in the late 1890s, Southern states enacted Jim Crow laws to enforce racial segregation and disenfranchisement. Most African Americans followed the Jim Crow laws, using a mask of compliance to prevent becoming victims of racially motivated violence. To maintain self-esteem and dignity, African Americans such as Anthony Overton and Mary McLeod Bethune continued to build their own schools, churches, banks, social clubs, and other businesses.

In the last decade of the 19th century, racially discriminatory laws and racial violence aimed at African Americans began to mushroom in the United States. These discriminatory acts included racial segregation—upheld by the United States Supreme Court decision in Plessy v. Ferguson in 1896—which was legally mandated by southern states and nationwide at the local level of government, voter suppression or disenfranchisement in the southern states, denial of economic opportunity or resources nationwide, and private acts of violence and mass racial violence aimed at African Americans unhindered or encouraged by government authorities.

Great Migration and Civil Rights Movement

The desperate conditions of African Americans in the South that sparked the Great Migration of the early 20th century, combined with a growing African American community in the Northern United States, led to a movement to fight violence and discrimination against African Americans that, like abolitionism before it, crossed racial lines. The Civil Rights Movement from 1954 to 1968 was directed at abolishing racial discrimination against African Americans, particularly in the Southern United States. The March on Washington for Jobs and Freedom and the conditions which brought it into being are credited with putting pressure on President John F. Kennedy and Lyndon B. Johnson.

Johnson put his support behind passage of the Civil Rights Act of 1964 that banned discrimination in public accommodations, employment, and labor unions, and the Voting Rights Act (1965), which expanded federal authority over states to ensure black political participation through protection of voter registration and elections. By 1966, the emergence of the Black Power movement, which lasted from 1966 to 1975, expanded upon the aims of the Civil Rights Movement to include economic and political self-sufficiency, and freedom from white authority.

Post-Civil Rights era

Politically and economically, blacks have made substantial strides during the post-civil rights era. In 1989, Douglas Wilder became the first African-American elected governor in U.S. history. There is currently one black governor; governor Deval Patrick of Massachusetts. Clarence Thomas became the second African-American Supreme Court Justice.In 1992 Carol Moseley-Braun of Illinois became the first black woman elected to the U.S. Senate. There were 8,936 black officeholders in the United States in 2000, showing a net increase of 7,467 since 1970. In 2001 there were 484 black mayors.

On November 4, 2008, Democratic Senator Barack Obama defeated Republican Senator John McCain to become the first African American to be elected President. At least 95 percent of African-American voters voted for Obama. He also received overwhelming support from young and educated whites, a majority of Asians, Hispanics, and Native Americans picking up a number of new states in the Democratic electoral column. Obama lost the overall white vote, although he won a larger proportion of white votes than any previous nonincumbent Democratic presidential candidate since Jimmy Carter. The following year Michael S. Steele was elected the first African-American chairman of the national Republican Party.

Demographics

In 1790, when the first U.S. Census was taken, Africans (including slaves and free people) numbered about 760,000—about 19.3% of the population. In 1860, at the start of the Civil War, the African American population had increased to 4.4 million, but the percentage rate dropped to 14% of the overall population of the country. The vast majority were slaves, with only 488,000 counted as "freemen". By 1900, the black population had doubled and reached 8.8 million. In 1910, about 90% of African Americans lived in the South, but large numbers began migrating north looking for better job opportunities and living conditions, and to escape Jim Crow laws and racial violence. The Great Migration, as it was called, spanned the 1890s to the 1970s. From 1916 through the 1960s, more than 6 million black people moved north. But in the 1970s and 1980s, that trend reversed, with more African Americans moving south to the Sun Belt than leaving it.

The following table of the African American population in the United States over time shows that the African American population, as a percentage of the total population, declined until 1930 and has been rising since then. {|class="wikitable" style="float:left; font-size:85%;" African Americans in the United States ! Year || Number || % of total population || Slaves || % in slavery |- | 1790 || 757,208 || 19.3% (highest) || 697,681 || 92% |- | 1800 || 1,002,037 || 18.9% || 893,602 || 89% |- | 1810 || 1,377,808 || 19.0% || 1,191,362 || 86% |- | 1820 || 1,771,656 || 18.4% || 1,538,022 || 87% |- | 1830 || 2,328,642 || 18.1% || 2,009,043 || 86% |- | 1840 || 2,873,648 || 16.8% || 2,487,355 || 87% |- | 1850 || 3,638,808 || 15.7% || 3,204,287 || 88% |- | 1860 || 4,441,830 || 14.1% || 3,953,731 || 89% |- | 1870 || 4,880,009 || 12.7% || – || – |- | 1880 || 6,580,793 || 13.1% || – || – |- | 1890 || 7,488,788 || 11.9% || – || – |- | 1900 || 8,833,994 || 11.6% || – || – |- | 1910 || 9,827,763 || 10.7% || – || – |- | 1920 || 10.5 million || 9.9% || – || – |- | 1930 || 11.9 million || 9.7% (lowest) || – || – |- | 1940 || 12.9 million || 9.8% || – || – |- | 1950 || 15.0 million || 10.0% || – || – |- | 1960 || 18.9 million || 10.5% || – || – |- | 1970 || 22.6 million || 11.1% || – || – |- | 1980 || 26.5 million || 11.7% || – || – |- | 1990 || 30.0 million || 12.1% || – || – |- | 2000 || 36.6 million || 12.3% || – || – |- | 2010 || 38.9 million || 12.6% || – || – |- |}

By 1990, the African American population reached about 30 million and represented 12% of the U.S. population, roughly the same proportion as in 1900. In current demographics, according to 2005 U.S. Census figures, some 39.9 million African Americans live in the United States, comprising 13.8% of the total population. The World Factbook gives a 2006 figure of 12.9% Controversy has surrounded the "accurate" population count of African Americans for decades. The NAACP believed it was under counted intentionally to minimize the significance of the black population in order to reduce their political power base.

At the time of the 2000 Census, 54.8% of African Americans lived in the South. In that year, 17.6% of African Americans lived in the Northeast and 18.7% in the Midwest, while only 8.9% lived in the western states. The west does have a sizable black population in certain areas, however. California, the nation's most populous state, has the fifth largest African American population, only behind New York, Texas, Georgia, and Florida. According to the 2000 Census, approximately 2.05% of African Americans identified as Hispanic or Latino in origin, many of whom may be of Brazilian, Puerto Rican, Dominican, Cuban, Haitian, or other Latin American descent. The only self-reported ''ancestral'' groups larger than African Americans are the Irish and Germans. Because many African Americans trace their ancestry to colonial American origins, some simply self-identify as "American".

U.S. cities

Almost 58% of African Americans lived in metropolitan areas in 2000. With over 2 million black residents, New York City had the largest black urban population in the United States in 2000, overall the city has a 28% black population. Chicago has the second largest black population, with almost 1.6 million African Americans in its metropolitan area, representing about 18 percent of the total metropolitan population.

Among cities of 100,000 or more, Detroit, Michigan had the highest percentage of black residents of any U.S. city in 2010, with 82%. Other large cities with African American majorities include New Orleans, Louisiana (60%), Baltimore, Maryland (63%) Atlanta, Georgia (54%), Memphis, Tennessee (61%), and Washington, D.C. (50.7%).

The nation's most affluent county with an African American majority is Prince George's County, Maryland, with a median income of $62,467. Within that county, among the wealthiest communities are Glenn Dale, Maryland and Fort Washington, Maryland. Other affluent predominantly African American counties include Dekalb County in Georgia, and Charles City County in Virginia. Queens County, New York is the only county with a population of 65,000 or more where African Americans have a higher median household income than White Americans.

Religion

The majority of African Americans are Protestant of whom many follow the historically black churches. Black church refers to churches which minister predominantly African American congregations. Black congregations were first established by freed slaves at the end of the 17th century, and later when slavery was abolished more African Americans were allowed to create a unique form of Christianity that was culturally influenced by African spiritual traditions.

According to a 2007 survey, more than half of the African American population are part of the historically black churches. The largest Protestant denomination among African Americans are the Baptists, distributed in four denominations, the largest being the National Baptist Convention and the National Baptist Convention of America. The second largest are the Methodists, the largest sects are the African Methodist Episcopal Church and the African Methodist Episcopal Zion Church. Pentecostals are mainly part of the Church of God in Christ. About 16% of African American Christians are members of white Protestant communions, these denominations (which include the United Church of Christ) mostly have a 2 to 3% African American membership. There are also large numbers of Roman Catholics, constituting 5% of the African American population. Of the total number of Jehovah's Witnesses, 22% are black.

Some African Americans follow Islam. Historically, between 15 to 30% of enslaved Africans brought to the Americas were Muslims, but most of these Africans were converted to Christianity during the era of American slavery. However during the 20th century, some African Americans converted to Islam, mainly through the influence of black nationalist groups that preached with distinctive Islamic practices; these include the Moorish Science Temple of America, though the largest organization was the Nation of Islam, founded during the 1930s, which attracted at least 20,000 people as of 1963, prominent members included activist Malcolm X and boxer Muhammad Ali.

Malcolm X is considered the first person to start the movement among African Americans towards mainstream Islam, after he left the Nation and made the pilgrimage to Mecca. In 1975, Warith Deen Mohammed, the son of Elijah Muhammad who took control of the Nation after his death, guided majority of its members to orthodox Islam. However, few members rejected these changes, in particular Louis Farrakhan, who revived the Nation of Islam in 1978 based on its original teachings.

African American Muslims constitute 20% of the total U.S. Muslim population, the majority are Sunni or orthodox Muslims, some of these identify under the community of W. Deen Mohammed. The Nation of Islam led by Louis Farrakhan has a membership from 20,000—50,000 members.

There are relatively few African American Jews; estimates of their number range from 20,000 to 200,000. Most of these Jews are part of mainstream groups such as the Reform, Conservative, or Orthodox branches of Judaism; although there are significant numbers of people who are part of non-mainstream Jewish groups, largely the Black Hebrew Israelites, whose beliefs include the claim that African Americans are descended from the Biblical Israelites.

Contemporary issues

African Americans have improved their social and economic standing significantly since the Civil Rights Movement and recent decades have witnessed the expansion of a robust, African American middle class across the United States. Unprecedented access to higher education and employment in addition to representation in the highest levels of American government has been gained by African Americans in the post-civil rights era.

Nevertheless, due in part to the legacy of slavery, racism and discrimination, African Americans as a group remain at a pronounced economic, educational and social disadvantage in many areas relative to European Americans. Persistent social, economic and political issues for many African Americans include inadequate health care access and delivery; institutional racism and discrimination in housing, education, policing, criminal justice and employment; crime, poverty and substance abuse.

One of the most serious and long standing issues within African American communities is poverty. Poverty itself is a hardship as it is related to marital stress and dissolution, health problems, low educational attainment, deficits in psychological functioning, and crime. In 2004, 24.7% of African American families lived below the poverty level. In 2007, the average African American income was $33,916, compared with $54,920 for whites.

Politics and social issues

Collectively, African Americans are more involved in the American political process than other minority groups in the United States, indicated by the highest level of voter registration and participation in elections among these groups in 2004. African Americans collectively attain higher levels of education than immigrants to the United States. African Americans also have the highest level of Congressional representation of any minority group in the U.S.

The large majority of African Americans support the Democratic Party. In the 2004 Presidential Election, Democrat John Kerry received 88% of the African American vote compared to 11% for Republican George W. Bush. Although there is an African-American lobby in foreign policy, it has not had the impact that African American organizations have had in domestic policy.

Historically, African Americans were supporters of the Republican Party because it was Republican President Abraham Lincoln who helped in granting freedom to American slaves; at the time, the Republicans and Democrats represented the sectional interests of the North and South, respectively, rather than any specific ideology, and both right and left were represented equally in both parties.

The African American trend of voting for Democrats can be traced back to the 1930s during the Great Depression, when Franklin D. Roosevelt's New Deal program provided economic relief to African Americans; Roosevelt's New Deal coalition turned the Democratic Party into an organization of the working class and their liberal allies, regardless of region. The African American vote became even more solidly Democratic when Democratic presidents John F. Kennedy and Lyndon B. Johnson pushed for civil rights legislation during the 1960s.

After over 50 years, marriage rates for ''all'' Americans began to decline while divorce rates and out-of-wedlock births have climbed. These changes have been greatest among African Americans. After more than 70 years of racial parity black marriage rates began to fall behind whites. Single-parent households have become common, and according to US census figures released in January 2010, only 38 percent of black children live with both their parents. Despite that and heavy Democratic leanings, African Americans favor "traditional American values" about family and marriage.

While 52% of Democrats support same-sex marriage, only 30% of black Democrats do. In 2008, though Democrats overwhelmingly voted (64%) against the California ballot proposition banning gay marriage, blacks overwhelmingly approved (70% in favor) it, more than any other racial group. The high-profile candidacy of Barack Obama is credited with increasing black turnout on the bill which has been seen as the crucial difference in its passing.

Blacks also hold far more conservative opinions on abortion, extramarital sex, and raising children out of wedlock than Democrats as a whole. On financial issues, however, African Americans are very much in line with Democrats, generally supporting a more progressive tax structure to provide more services and reduce injustice and as well as more government spending on social services.

News media and coverage

News media coverage of African American news, concerns or dilemmas is inadequate, some activists and academics contend. Activists also contend that the news media present distorted images of African Americans. To combat this African Americans founded their own television networks. Black Entertainment Television, founded by Robert L. Johnson is a network that targets young African Americans and urban audiences in the United States.

Most programming on the network consists of rap and R&B music videos and urban-oriented movies and series. Additionally, the channel shows syndicated television series, original programs, and some public affairs programs. On Sunday mornings, BET broadcasts a lineup of network-produced Christian programming; other, non-affiliated Christian programs are also shown during the early morning hours daily. BET is now a global network that reaches 85 million viewers in the Caribbean, Canada, and the United Kingdom.

In addition to BET there is Centric, which is a spin-off cable television channel of BET, created originally as BET on Jazz to showcase jazz music-related programming, especially that of black jazz musicians. Programming since has been expanded to include a block of urban programs as well as some R&B, neo soul, and alternative hip hop, with the focus on jazz reduced to low-profile hours.

TV One is another African American-oriented network and a direct competitor to BET. It targets African American adults with a broad range of programming. The network airs original lifestyle and entertainment-oriented shows, movies, fashion and music programming, as well as classic series such as 227, Good Times, Martin, Boston Public and It's Showtime at the Apollo. The network primarily owned by Radio One. Radio One, Inc., founded and controlled by Catherine Hughes, it is one of the nation's largest radio broadcasting companies and the largest African American-owned radio broadcasting company in the United States.

Other African American networks scheduled to launch in 2009 are the Black Television News Channel founded by former Congressman J. C. Watts and Better Black Television founded by Percy Miller. In June 2009, NBC News launched a new website named The Grio in partnership with the production team that created the black documentary film, Meeting David Wilson. It is the first African American video news site which focuses on underrepresented stories in existing national news. The Grio consists of a broad spectrum of original video packages, news articles, and contributor blogs on topics including breaking news, politics, health, business, entertainment and Black History.

Education

By 2000, African Americans had advanced greatly. They still lagged overall in education attainment compared to white or Asian Americans, with 14 percent with four year and 5 percent with advanced degrees, though it was higher than for other minorities. African Americans attend college at about half the rate of whites, but at a greater rate than Americans of Hispanic origin. More African American women attend and complete college than men. Black schools for kindergarten through twelfth grade students were common throughout the U.S., and a pattern towards re-segregation is currently occurring across the country.

Historically black colleges and universities remain today which were originally set up when segregated colleges did not admit African Americans. As late as 1947, about one third of African Americans over 65 were considered to lack the literacy to read and write their own names. By 1969, illiteracy as it had been traditionally defined, had been largely eradicated among younger African Americans.

US Census surveys showed that by 1998, 89 percent of African Americans aged 25 to 29 had completed high school, less than whites or Asians, but more than Hispanics. On many college entrance, standardized tests and grades, African Americans have historically lagged behind whites, but some studies suggest that the achievement gap has been closing. Many policy makers have proposed that this gap can and will be eliminated through policies such as affirmative action, desegregation, and multiculturalism.

In Chicago, Marva Collins, an African American educator, created a low cost private school specifically for the purpose of teaching low-income African American children whom the public school system had labeled as being "learning disabled". One article about Marva Collins' school stated,

Working with students having the worst of backgrounds, those who were working far below grade level, and even those who had been labeled as 'unteachable,' Marva was able to overcome the obstacles. News of third grade students reading at ninth grade level, four-year-olds learning to read in only a few months, outstanding test scores, disappearance of behavioral problems, second-graders studying Shakespeare, and other incredible reports, astounded the public.

During the 2006–2007 school year, Collins' school charged $5,500 for tuition, and parents said that the school did a much better job than the Chicago public school system. Meanwhile, during the 2007–2008 year, Chicago public school officials claimed that their budget of $11,300 per student was not enough.

Economic status

Economically, African Americans have benefited from the advances made during the Civil Rights era, particularly among the educated, but not without the lingering effects of historical marginalization when considered as a whole. The racial disparity in poverty rates has narrowed. The black middle class has grown substantially. In 2000, 47% of African Americans owned their homes. The poverty rate among African Americans has decreased from 26.5% in 1998 to 24.7% in 2004. African Americans are the second largest consumer group in America with a combined buying power of over $892 billion currently and likely over $1.1 trillion by 2012. In 2002 African American owned businesses accounted for 1.2 million of the US's 23 million businesses.

In 2004, African American workers had the second-highest median earnings of American minority groups after Asian Americans, and African Americans had the highest level of male-female income parity of all ethnic groups in the United States. Also, among American minority groups, only Asian Americans were more likely to hold white-collar occupations (management, professional, and related fields), and African Americans were no more or less likely than European Americans to work in the service industry. In 2001, over half of African American households of married couples earned $50,000 or more. Although in the same year African Americans were over-represented among the nation's poor, this was directly related to the disproportionate percentage of African American families headed by single women; such families are collectively poorer, regardless of ethnicity.

By 2006, gender continued to be the primary factor in income level, with the median earnings of African American men more than those black and non-black American women overall and in all educational levels. At the same time, among American men, income disparities were significant; the median income of African American men was approximately 76 cents for every dollar of their European American counterparts, although the gap narrowed somewhat with a rise in educational level.

Overall, the median earnings of African American men were 72 cents for every dollar earned of their Asian American counterparts, and $1.17 for every dollar earned by Hispanic men. On the other hand by 2006, among American women with post-secondary education, African American women have made significant advances; the median income of African American women was more than those of their Asian-, European- and Hispanic American counterparts with at least some college education.

African Americans are still underrepresented in government and employment. In 1999, the median income of African American families was $33,255 compared to $53,356 of European Americans. In times of economic hardship for the nation, African Americans suffer disproportionately from job loss and underemployment, with the black underclass being hardest hit. The phrase "last hired and first fired" is reflected in the Bureau of Labor Statistics unemployment figures. Nationwide, the October 2008 unemployment rate for African Americans was 11.1%, while the nationwide rate was 6.5%.

The income gap between black and white families is also significant. In 2005, employed blacks earned only 65% of the wages of whites, down from 82% in 1975. ''The New York Times'' reported in 2006 that in Queens, New York, the median income among African American families exceeded that of white families, which the newspaper attributed to the growth in the number of two-parent black families. It noted that Queens was the only county with more than 65,000 residents where that was true.

In 1999, the rate of births to unwed African American mothers was estimated by economist Walter E. Williams of George Mason University to be 70%. The poverty rate among single-parent black families was 39.5% in 2005, according to Williams, while it was 9.9% among married-couple black families. Among white families, the comparable rates were 26.4% and 6%.

According to ''Forbes'' magazine's "wealthiest American" lists, a 2000 net worth of $800 million dollars made Oprah Winfrey the richest African American of the 20th century; by contrast, the net worth of the 20th century's richest American, Bill Gates, who is of European descent, briefly hit $100 billion in 1999. In Forbes' 2007 list, Gates' net worth decreased to $59 billion while Winfrey's increased to $2.5 billion, making her the world's richest black person. Winfrey is also the first African American to make Business Week's annual list of America's 50 greatest philanthropists. BET founder Bob Johnson was also listed as a billionaire prior to an expensive divorce and as of 2009, had an estimated net worth of $550 million. Winfrey remains the only African American wealthy enough to rank among the country's 400 richest people. Some black entrepreneurs use their wealth to create new avenues for both African Americans and new opportunities for American business in general. Examples such as Tyler Perry who created new filming studios in Atlanta, Georgia which makes it possible to film movies and television shows outside of California.

Health

African Americans continue to have lower life expectancies on average than whites in the United States. Even when adjusted for age, African Americans are 1.6 times more likely to die from one of the 10 leading causes of death in the United States than European Americans. However, there is evidence that this may be changing: by 2003, sex had replaced race as the primary factor in life expectancy in the United States, with African American females expected to live longer than European American males born in that year.

In the same year, the gap in life expectancy between American whites (78.0) and blacks (72.8) had decreased to 5.2 years, reflecting a long term trend of this phenomenon. By 2004, "the trend toward convergence in mortality figures across the major race groups also continued", with white–black gap in life expectancy dropping to five years. The current life expectancy of African Americans as a group is comparable to those of other groups who live in countries with a high Human Development Index.

At the same time, the life expectancy gap is affected by collectively lower access to quality medical care. With no system of universal health care, access to medical care in the U.S. generally is mediated by income level and employment status. As a result, African Americans, who have a disproportionate occurrence of poverty and unemployment as a group, are more often uninsured than non Hispanic whites or Asians. For a great many African Americans, healthcare delivery is limited, or nonexistent. And when they receive healthcare, they are more likely than others in the general population to receive substandard, even injurious medical care. African Americans have a higher prevalence of some chronic health conditions.

African Americans are twice as likely to have diabetes, than whites, and twice as likely to die from the disease. Obesity affects 37% of men and 51% of women. This and other factors contribute to hypertension, which affects 40% of all adults. African American men are twice as likely to have diabetes induced end-stage kidney disease, and twice as likely to die of it than white men of the same age. African Americans are 1.7 times more likely to have a stroke and 60% more likely to die from it. Two reasons for poorer health are lack of routine preventative medical care, such as mammograms and colonoscopies and lack of the primary care physcian.

While 1 in 6 Americans (16.2 percent) between the ages of 14 and 49 is infected with herpes simplex virus type 2 (HSV-2), the infection rate is more than three times higher among blacks (39.2 percent) than whites (12.3 percent). The most affected group is black women, with a prevalence rate of 48 percent. Dr. Kevin Fenton, director of the CDC's National Center for HIV/AIDS, Viral Hepatitis, STD and TB Prevention stated that "high rates of herpes among African-Americans is most likely contributing to the high rate of HIV in that community. In fact, statistics show that people with herpes are two to three times more likely to get HIV if exposed."

African Americans are the American ethnic group most affected by HIV and AIDS, according to the Centers for Disease Control and Prevention. Black men are six times more likely to have HIV than white men and black women are nearly 18 times more likely to have HIV than white women. A 2004 "CDC analysis of MSM in five cities found that while only 18 percent of the HIV-infected white men were unaware of their infections, 67 percent of the infected black men were unaware."

It has been estimated that "184,991 adult and adolescent HIV infections [were] diagnosed during 2001–2005" (1). More than 51 percent occurred among blacks than any other race. Between the ages of 25–44 years 62 percent were African Americans. Dr. Robert Janssen (2007) states, "We have rates of HIV/AIDS among blacks in some American cities that are as high as in some countries in Africa". The rate for African Americans with HIV/AIDS in Washington, D.C. is 3 percent, based on cases reported. In a New York Times Article, about 50 percent of AIDS-related deaths were African American woman, which accounted for 25 percent of the city's population. In many cases there are a higher proportion of black people being tested than any other racial group. Dr. Janssen goes on by saying "We need to do a better job of encouraging African Americans to test. Studies show that approximately one in five black men between the ages 40 to 49 living in the city is HIV-positive, according to the ''TIMES''. Research indicates that African Americans' sexual behavior is no different than any other racial group. Dr. Janssen says "Racial groups tend to have sex with members of their own racial group.

Crime also plays a significant role in the racial gap in life expectancy. A report from the U.S. Department of Justice states "In 2005, homicide victimization rates for blacks were 6 times higher than the rates for whites" and "94% of black victims were killed by blacks."

Cultural influence in the United States

From their earliest presence in North America, African Americans have contributed literature, art, agricultural skills, foods, clothing styles, music, language, social and technological innovation to American culture. The cultivation and use of many agricultural products in the U.S., such as yams, peanuts, rice, okra, sorghum, grits, watermelon, indigo dyes, and cotton, can be traced to African and African American influences. Notable examples include George Washington Carver, who created 300 products from peanuts, 118 products from sweet potatoes, and 75 from pecans; and George Crum, who invented the potato chip in 1853.

African American music is one of the most pervasive African American cultural influences in the United States today and is among the most dominant in mainstream popular music. Hip hop, R&B, funk, rock and roll, soul, blues, and other contemporary American musical forms originated in black communities and evolved from other black forms of music, including blues, doo-wop, barbershop, ragtime, bluegrass, jazz, and gospel music.

African American-derived musical forms have also influenced and been incorporated into virtually every other popular musical genre in the world, including country and techno. African American genres are the most important ethnic vernacular tradition in America, as they have developed independent of African traditions from which they arise more so than any other immigrant groups, including Europeans; make up the broadest and longest lasting range of styles in America; and have, historically, been more influential, interculturally, geographically, and economically, than other American vernacular traditions.

African Americans have also had an important role in American dance. Bill T. Jones, a prominent modern choreographer and dancer, has included historical African American themes in his work, particularly in the piece "Last Supper at Uncle Tom's Cabin/The Promised Land". Likewise, Alvin Ailey's artistic work, including his "Revelations" based on his experience growing up as an African American in the South during the 1930s, has had a significant influence on modern dance. Another form of dance, Stepping, is an African American tradition whose performance and competition has been formalized through the traditionally black fraternities and sororities at universities.

Many African American authors have written stories, poems, and essays influenced by their experiences as African Americans. African-American literature is a major genre in American literature. Famous examples include Langston Hughes, James Baldwin, Richard Wright, Zora Neale Hurston, Ralph Ellison, Nobel Prize winner Toni Morrison, and Maya Angelou.

African American inventors have created many widely used devices in the world and have contributed to international innovation. Norbert Rillieux created the technique for converting sugar cane juice into white sugar crystals. Moreover, Rillieux left Louisiana in 1854 and went to France, where he spent ten years working with the Champollions deciphering Egyptian hieroglyphics from the Rosetta Stone. Most slave inventors were nameless, such as the slave owned by the Confederate President Jefferson Davis who designed the ship propeller used by the Confederate navy.

By 1913 over 1,000 inventions were patented by black Americans. Among the most notable inventors were Jan Matzeliger, who developed the first machine to mass-produce shoes, and Elijah McCoy, who invented automatic lubrication devices for steam engines. Granville Woods had 35 patents to improve electric railway systems, including the first system to allow moving trains to communicate. Garrett A. Morgan developed the first automatic traffic signal and gas mask.

Lewis Howard Latimer invented an improvement for the incandescent light bulb. More recent inventors include Frederick McKinley Jones, who invented the movable refrigeration unit for food transport in trucks and trains. Lloyd Quarterman worked with six other black scientists on the creation of the atomic bomb (code named the Manhattan Project.) Quarterman also helped develop the first nuclear reactor, which was used in the atomically powered submarine called the Nautilus.

A few other notable examples include the first successful open heart surgery, performed by Dr. Daniel Hale Williams, and the air conditioner, patented by Frederick McKinley Jones. Dr. Mark Dean holds three of the original nine patents on the computer on which all PCs are based. More current contributors include Otis Boykin, whose inventions included several novel methods for manufacturing electrical components that found use in applications such as guided missile systems and computers, and Colonel Frederick Gregory, who was not only the first black astronaut pilot but the person who redesigned the cockpits for the last three space shuttles. Gregory was also on the team that pioneered the microwave instrumentation landing system.

Political legacy

African Americans have fought in every war in the history of the United States.

The gains made by African Americans in the Civil Rights and Black Power movements not only obtained certain rights for African Americans, but changed American society in far-reaching and fundamentally important ways. Prior to the 1950s, Black Americans in the South were subject to de jure discrimination, or Jim Crow. They would often be the victims of extreme cruelty and violence, sometimes resulting in deaths: by the post WWII era, African Americans became increasingly discontented with their long-standing inequality. In the words of Martin Luther King, Jr., African Americans and their supporters challenged the nation to "rise up and live out the true meaning of its creed that all men are created equal ..."

The Civil Rights Movement marked a sea-change in American social, political, economic and civic life. It brought with it boycotts, sit-ins, demonstrations, court battles, bombings and other violence; prompted worldwide media coverage and intense public debate; forged enduring civic, economic and religious alliances; and disrupted and realigned the nation's two major political parties.

Over time, it has changed in fundamental ways the manner in which blacks and whites interact with and relate to one another. The movement resulted in the removal of codified, ''de jure'' racial segregation and discrimination from American life and law, and heavily influenced other groups and movements in struggles for civil rights and social equality within American society, including the Free Speech Movement, the disabled, women, Native Americans, and migrant workers.

The term "African American"

Political overtones

The term African American carries important political overtones. Earlier terms used to identify Americans of African ancestry were conferred upon the group by colonists and Americans of European ancestry. The terms were included in the wording of various laws and legal decisions which some thought were being used as tools of white supremacy and oppression. There developed among blacks in America a growing desire for a term of self-identification of their own choosing.

With the political consciousness that emerged from the political and social ferment of the late 1960s and early 1970s, blacks no longer approved of the term Negro. They believed it had suggestions of a moderate, accommodationist, even "Uncle Tom" connotation. In this period, a growing number of blacks in the United States, particularly African American youth, celebrated their blackness and their historical and cultural ties with the African continent. The Black Power movement defiantly embraced ''Black'' as a group identifier. It was a term social leaders themselves had repudiated only two decades earlier, but they proclaimed, "Black is beautiful".

In this same period, a smaller number of people favored ''Afro-American'', a common shortening (as is 'Anglo-American'). However, after the decline in popularity of the 'Afro' hairstyle in the late 1970s, the term fell out of use.

In the 1980s the term ''African American'' was advanced on the model of, for example, German-American or Irish-American to give descendents of American slaves and other American blacks who lived through the slavery-era a heritage and a cultural base. The term was popularized in black communities around the country via word of mouth and ultimately received mainstream use after Jesse Jackson publicly used the term in front of a national audience. Subsequently, major media outlets adopted its use.

Many blacks in America expressed a preference for the term, as it was formed in the same way as names for others of the many ethnic groups in the nation. Some argued further that, because of the historical circumstances surrounding the capture, enslavement and systematic attempts to de-Africanize blacks in the United States under chattel slavery, most African Americans are unable to trace their ancestry to a specific African nation; hence, the entire continent serves as a geographic marker.

For many, African American is more than a name expressive of cultural and historical roots. The term expresses pride in Africa and a sense of kinship and solidarity with others of the African diaspora—an embrace of pan-Africanism as earlier enunciated by prominent African thinkers such as Marcus Garvey, W. E. B. Du Bois and George Padmore.

Who is African American?

Since 1977, in an attempt to keep up with changing social opinion, the United States government officially classified black people (revised to ''black'' or ''African American'' in 1997) as "having origins in any of the black racial groups of Africa." Other federal offices, such as the United States Census Bureau, adhere to the OMB standards on race in its data collection and tabulations efforts. In preparation for the United States 2010 Census, a marketing and outreach plan, called ''2010 Census Integrated Communications Campaign Plan'' (ICC) recognized and defined African Americans as black people born in the United States. From the ICC perspective, African Americans are one of three groups of black people in the United States

The ICC plan was to reach the three groups by acknowledging that each group has its own sense of community that is based on geography and ethnicity. The best way to market the census process toward any of the three groups is to reach them through their own unique communication channels and not treat the entire black population of the U.S. as though they are all African Americans with a single ethnic and geographical background. The U.S. Department of Justice Federal Bureau of Investigation categorizes black or African American people as "A person having origins in any of the black racial groups of Africa" through racial categories used in the UCR Program adopted from the Statistical Policy Handbook (1978) and published by the Office of Federal Statistical Policy and Standards, U.S. Department of Commerce, derived from the 1977 OMB classification.

The African-American experience

Some black scholars have argued that the term "African-American" should refer strictly to the descendents of West or Central African slaves and free people of color who survived the slavery-era, and not the sons and daughters of black immigrants who lack that ancestry. The argument being that grouping all blacks together regardless of their unique ancestral circumstances would inevitably deny the lingering effects of slavery with in the American slave descendent community, in addition to denying black immigrants recognition of their own unique ancestral backgrounds.

In the book ''The End of Blackness'' published by author Debra Dickerson, she warned against drawing favorable cultural implications from upwardly mobile black immigrants who are not the sons and daughters of American slavery and racial segregation. She used the political rise of President Barack Obama, who is the son of a Kenyan immigrant, a result of "Lumping us all together," Dickerson claimed it, "erases the significance of slavery and continuing racism while giving the appearance of progress." On the liberal website Salon Dickerson wrote, "African-American", in our political and social vocabulary, means those descended from West African slaves". Similar statements have been echoed by Stanley Crouch in a New York Daily News piece, Charles Kenzie Steele, Jr. of the Southern Christian Leadership Conference and African-American columnist David Ehrenstein of the LA Times who accused white liberals of flocking to blacks who were "Magic Negros", a term that refers to a black person with no past who simply appears to assist the mainstream white (as cultural protagonists/drivers) agenda. Ehrenstein went on to say "He's there to assuage white 'guilt' they feel over the role of slavery and racial segregation in American history." said "descendants of slaves did not get much of a head start, and I think you continue to see some of the effects of that." She has also rejected an immigrant designation for African-Americans and instead prefers the term "black" or "white" to denote the African and European U.S. founding populations.

Terms no longer in common use

The terms mulatto and colored were widely used until the second quarter of the 20th century, when they were considered outmoded and generally gave way to the use of ''negro''. By the 1940s, the term commonly was capitalized, but by the mid 1960s, it had acquired negative connotations, though the term ''mulatto'' is still in use in many parts of Latin America and is not considered offensive there. Today, in the culture of the United States, the term is considered inappropriate and is now rarely used and perceived as a pejorative.

The term Negro is largely out of use among the younger black generation, but is still used by a substantial block of older black Americans, particularly in the southern U.S. In Latin America, ''negro'', which translates as ''black'' is the term generally used to refer and describe black people and, similarly to ''mulatto'', it is not considered offensive at all in these regions. However, it is pronounced differently, with the ''e'' being closer to the sound in the English word egg.

See also

Affirmative action

African-American art

African-American history

African-American literature

African-American music

African American Muslims

African American National Biography Project

African American Vernacular English

African American Women, 1960's

American Black Upper Class

American Civil War

Black church

Black feminism

Black Loyalist

Black nationalism

Military history of African Americans

Slavery in the United States

Diaspora:

African Americans in France

African diaspora

African immigrants to the United States

Afro-Latin American

American Black Indians

Americans of Igbo ancestry

Americo-Liberian

Black Hispanic and Latino Americans

Black Nova Scotians

Black people

Foreign-born Afro Americans

Sierra Leone Creole people

Lists:

Lists of African Americans

List of African-American-related topics

List of topics related to Black and African people

Terminology: Colored, Creole peoples, Negro, Nigger, Nigga

Notes

References

Further reading

Jack Salzman, ed., ''Encyclopedia of Afro-American culture and history'', New York, New York : Macmillan Library Reference USA, 1996.

''African American Lives'', edited by Henry L. Gates, Evelyn Brooks Higginbotham, Oxford University Press, 2004—more than 600 biographies.

''From Slavery to Freedom. A History of African Americans'', by John Hope Franklin, Alfred Moss, McGraw-Hill Education 2001, standard work, first edition in 1947.

''Black Women in America: An Historical Encyclopedia'', Darlene Clark Hine (Editor), Rosalyn Terborg-Penn (Editor), Elsa Barkley Brown (Editor), Paperback Edition, Indiana University Press 2005.

External links

Richard Thompson Ford Name Games, ''Slate'', September 16, 2004. Article discussing the problems of defining ''African American''

"Of Arms & the Law: Don Kates on Afro-American Homicide Rates"

''Scientific American'' Magazine (June 2006) Trace Elements Reconnecting African-Americans to an ancestral past

"The Definition of Political Absurdity", ''San Francisco Chronicle'', March 2, 2007

African American archaeology in Sacramento, California pdf

African American archaeology in Oakland, California —See Part III, Chap 10

Black History related original documents and photos

President Obama's Speech to the NAACP on July 16, 2009—full video by ''MSNBC''

Black or African American?, Frank Newport. Gallup, September 28, 2007

The Long Journey of Black Americans - slideshow by ''The First Post''

Category:African American history Category:Ethnic groups in the United States Category:History of civil rights in the United States Category:Peoples of the African diaspora

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name	Bobby Brown
background	solo_singer
birth name	Robert Barisford Brown
birth date	February 05, 1969
origin	Roxbury, Massachusetts, U.S.
genre	R&BNew jack swingHip hopDance-pop
occupation	Singer-songwriter Dancer
years active	1978–present
label	MCA (1986-1998)Bronx Bridge Entertainment (2011-present)
associated acts	New EditionHeads of State Whitney Houston Damien Marley
website	www.bobbybrownonline.com }}

Robert Barisford "Bobby" Brown (born February 5, 1969) is an American R&B singer-songwriter, occasional rapper, and dancer. After success in pop group New Edition, Brown began his solo career in 1987 and had a string of Top 10 ''Billboard'' hits, culminating in a Grammy Award. He was a pioneer of New Jack Swing music, a fusion of hip hop and R&B. His second album, ''Don't Be Cruel'', included popular songs such as "My Prerogative". Brown is the ex-husband of pop singer Whitney Houston and starred in the reality show ''Being Bobby Brown''.

Music career

New Edition

Bobby Brown began his music career as a member of the R&B boy band New Edition which he founded along with childhood friend Michael Bivins. He is the youngest member of the group since the inception. The group's hits with Brown included "Candy Girl", "Cool It Now", and "Mr. Telephone Man". Brown was voted out of New Edition in 1986 when the other four members felt that their careers would be jeopardized by Bobby's lewd, line-crossing on-stage antics. Throughout the ''All for Love'' tour, he feuded with Ralph Tresvant and cut in on Tresvant's lead vocals. In 1996, Brown rejoined the group for New Edition's comeback album, ''Home Again''. In the middle of the tour, he engaged in further racy on-stage antics. He extended his solo set and cut into Bell Biv Devoe's time. Once again, he left New Edition. In the fall of 2005, New Edition performed at BET's 25th Anniversary Special. The group performed a medley of its greatest hits, and even brought Bobby Brown on stage for a rendition of "Mr. Telephone Man". It was later announced on BET and Inside Hollywood that Bobby had rejoined the group and would be on the next group album. In January 2006, New Edition announced that the group would launch a new album and tour in 2008. Bobby also appeared at a concert in Columbia, South Carolina that New Edition had filmed for a future DVD release.

Solo career

After leaving New Edition in 1985, Brown stayed with the group manager Steven Machat and Machat secured from MCA, the groups record label, a record deal guaranteed for Browns solo career if Brown agreed to leave the New Edition. MCA released his first solo album, ''King of Stage'', in 1986. This album included "Girlfriend", a minor hit which went to #1 on the Billboard R&B charts and #57 on the Billboard Hot 100. Other than that, ''King of Stage'' did not garner much attention. However, Brown's next album, 1988's ''Don't Be Cruel'' with Machat overseeing the entire production and styling of Brown with Louil Silas, MCA's rep, rocketed him to super stardom. Working with the writing/producing team of L.A. Reid and Babyface, as well as Teddy Riley, ''Don't Be Cruel'' spawned five Top 10 Billboard Hot 100 singles: "Don't Be Cruel" (#8), "Every Little Step" (#3), "Rock Wit' Cha" (#7), "My Prerogative" (#1), and "Roni" (#3). The album would eventually be certified 8x platinum (8,000,000 units sold).

In 1989, he contributed two songs (including "On Our Own", which reached #2 on the Billboard Hot 100) to the ''Ghostbusters II'' soundtrack, in addition to making a cameo in the film. Brown has subsequently dabbled in acting.

In between the "On Our Own" single and the release of Brown's next album, a remix album, ''Dance! Ya Know It!'' was released to capitalise on Brown's huge success at the time. A non-album "megamix" single was released to promote the project. The European dance-oriented version (sampling beats by Snap!) was titled "The Freestyle Megamix" and was a hit in the UK, reaching #14 on the Gallup charts. A more R'n'B oriented version called "Every Little Hit Mix" (b/w "Roni) was released in Australia.

Brown's third album, ''Bobby'', did not arrive until 1992. It reached #2 on the Billboard album charts and produced the hit singles "Humpin' Around" (#3 on the Billboard Hot 100) and "Good Enough" (#7) as well as a smaller hit in "Get Away" (#14). The album was eventually certified 1x platinum (1,000,000 units sold). However, it did not come close to matching the album sales or singles chart success of its predecessor.

Brown waited until late 1997 to release his next (and to date, last) album of original material, ''Forever''. The album was originally titled ''Bobby II'' and was supposed to be produced by such luminaries as R.Kelly, Teddy Riley, Sean Combs and Jimmy Jam and Terry Lewis. However, Brown negotiated 100% creative control of the album and decided to write all the songs himself. It only managed to climb to #61 on the Billboard Hot 200 album charts and produced no charting singles.

In 2006 Brown appeared on "Beautiful", the third single from Damian Marley's album ''Welcome to Jamrock''.

2010 Bobby Brown surprised his fans by dueting with American R&B and soul singer-songwriter, record producer, and actress Macy Gray on her new album titled The Sellout. Together they did a song "Real Love". Macy Gray divulged the pleasure of working with Bobby Brown to Essence Magazine on the project, saying that "actually he came to the studio, since he doesn't live far, and knocked out his recording in two hours. We're friends and his one-year-old son is my godson. His fiance is one of my best friends in the whole world. I met Bobby a long time ago, but we really got to know each other through her."

Heads of State

As of September 27, 2008, Brown began touring with fellow New Edition members Ralph Tresvant and Johnny Gill in a new group named Heads of State. The group continues to tour worldwide. They are currently recording an album.

Movies

While always maintaining his focus on music, Brown has also been venturing into the movie side of showbiz. In 1996, Brown co-starred in the hit movie, ''A Thin Line Between Love and Hate'', along with Martin Lawrence and Lynn Whitfield. and in more recent years he has appeared in the films ''Two Can Play That Game'', along with Vivica A. Fox and Morris Chestnut; ''Go for Broke''; and ''Gang of Roses'' starring Lil' Kim, Lisa Raye, Stacey Dash, and Marie Matiko. After those he was in ''Nora's Hair Salon''.

Bobby Brown had cameo guest appearances in many movies. ''Panther'' (1995) starring Courtney B. Vance and Chris Rock. Earlier, he played all three characters of Three Blind Mice in ''Mother Goose Rock 'n' Rhyme'' (1990). In 1989 was Brown's first solo guest cameo appearance in ''Ghostbusters II'' playing the Mayor's Doorman.

1985 Krush Groove Character Name: Himself

1989 Ghostbusters II Played The Mayor's Doorman

1989 His Prerogative Interview and Videos

1990 Mother Goose Rock 'N' Rhymes Character Name: Three Blind Mice

1992 Bobby Brown: Humpin' Around Making of the Video

1993 Bobby Brown: Bobby Played Himself

1995 Panther Character Name: Rose

1996 A Thin Line Between Love and Hate Character Name: Tee

2001 Two Can Play That Game Character Name: Michael

2002 Go For Broke Character Name: Jive

2003 Gang of Roses Character Name: Left Eye Watkins

2004 Nora's Hair Salon Character Name: Bennie

2008 Nora's Hair Salon II Character Name: Old Man Butter

Personal life

In June 2007, Brown took part in the ITV television series "24 hours with...", a chat show format as celebrity and interviewer spend an intense 24 hours locked in a room together. The show's host, Jamie Campbell, asked Brown questions about his career and private life, and infamously joked about making "sexual moves" towards the singer. Brown was furious and threatened to beat Campbell up live on air.

He has been appearing on cable-televised reality T.V. shows such as ''Celebrity Fit Club'', ''Gone Country'', and his own show entitled ''Being Bobby Brown''.

Family

Brown has a total of five biological children. In chronological order the oldest being his son Landon Brown, La'princia Brown, Robert (Bobby) Brown Jr., Bobbi Kristina Brown, and Cassius Brown. Brown married Whitney Houston in July 1992. Together they have one daughter, Bobbi Kristina Brown, born 1993. On September 13, 2006, Houston's publicist announced that after 14 years of marriage, Houston had filed for a legal separation from Brown. One month later, Houston officially filed for a divorce from Brown. It was ruled by a judge on April 4, 2007 that their marriage would be definitively dissolved on April 24, 2007, and that Whitney would receive custody of their then 14-year-old daughter.

Brown's eldest son, Landon Brown, appeared on the MTV show Rock the Cradle. On February 3, 2009, it was announced Brown was expecting his fifth child with his then girlfriend. His fifth son, a boy named Cassius, was born May 30, 2009.

On May 7, 2010, Brown proposed to his long time girlfriend while performing at the Funk Fest in Jacksonville, Fla. He asked her to marry him while giving his performance on stage. He got down on one knee and when she joined him on stage along with their child she accepted his proposal. He is currently signed to Bronx Bridge Entertainment.

Substance abuse and legal problems

Throughout the 1990s and early 2000s, Brown's legal and substance abuse troubles threatened to overshadow his music. In late 2003, Brown was arrested for misdemeanor battery, allegedly for striking Houston while shouting epithets. In February 2004, Brown was arrested and jailed in Georgia on a parole violation related to a previous drunk driving conviction. Whitney Houston has also publicly stated that Brown's choice of drug was marijuana laced with cocaine.

Bobby Brown made a guest appearance on ''The Monique Show'' with fellow group mates Johnny Gill and Ralph Tresvant to promote their ongoing tour across the globe to sold out shows. Bobby also discussed how he overcame his struggles. The trio Heads of State performed medleys of their classic legendary hits to an audience full of die hard New Edition fans.

Discography

Studio albums

Year	Album details	Peak chart positions							! rowspan="2"
		! width="30"	! width="30"	! width="30"	! width="30"	! width="30"	! width="30"	! width="30"
1986				* Released: December 11, 1986	* Label: MCA Records	88	12	40	—	—	—	—
1988	align="left"			* Released: June 20, 1988	* Label: MCA Records	1	1	3	5	20	—	—		RIAA>US: 7× Platinum	British Phonographic Industry>UK: 2× Platinum	CRIA>CAN: 3× Platinum
1992	align="left"			* Released: August 25, 1992	* Label: MCA Records	2	1	11	2	4	26	18		* US: 2× Platinum	* CAN: 2× Platinum
1997	align="left"			* Released: November 4, 1997	* Label: MCA Records	61	15	—	—	—	—	—
2011	align="left"			* Released: September 6, 2011	* Label: Bronx Bridge Entertainment	—	—	—	—	—	—	—

Remix albums

Year	Album details	Peak chart positions				Certifications(sales threshold)
		US	USR&B	UK	AUS
1989				* Released: 1989	* Label: MCA Records	9	7	26	14		* US: Platinum	* UK: Gold	* CAN: Gold
1993				* Released: 1993	* Label: MCA Records	—	72	—	—

Singles

Year	Single	Peak chart positions						RIAA	Album
		! width="35"	! width="35"	! width="35"	! width="35"	! width="35"	! width="35"
1986		57	1	—	—	—	—	—
1987		—	31	—	—	—	—	—
	align="left"	8	1	—	—	42	—	Gold
	1	1	71	—	6	40	Gold
		—	—	—	—	13	—	—
	3	2	1	—	21	—	Gold
	3	1	17	—	6	8	Gold
align="left"	2	1	15	—	4	22	Platinum
	7	3	—	28	33	—	Gold
		—	—	—	—	14	—	—
	—	—	—	—	—	21	—
		3	1	15	—	19	1	Gold
	7	5	—	—	41	39	Gold
		14	3	3	—	—	—	—
align="left"	57	9	31	—	56	—	—
	—	—	—	—	16	—	—
1994	align="left"	—	—	—	—	38	—	—
		—	—	—	—	3	—	—
	—	—	—	—	8	—	—
	—	—	—	—	17	—	—
1996		—	—	—	—	25	—	—
1997		—	42	—	—	40	—	—
2006		—	—	—	—	—	—	—
2009		—	—	—	—	—	—	—
2011		—	—	—	—	—	—	—
	"—" denotes releases that did not chart or not certified

Featured singles

Year	Single	Artist	Peak chart positions					Album
			US	US R&B	US Dance	UK	AUS
1990		Glenn Medeiros	1	43	—	12	8
2002		Ja Rule	42	16	10	15	7	align="left"
2006		Damian Marley	—	—	—	39	—
2010		Macy Gray	—	—	—	—	—

References

External links

Bobby Brown Online

NEW Bobby Brown HD interview April 2010

Category:1969 births Category:Living people Category:African American singers Category:American dance musicians Category:American male singers Category:American pop singers Category:American rhythm and blues singers Category:Grammy Award winners Category:Musicians from Massachusetts Category:New Edition members Category:Participants in American reality television series Category:People from Atlanta, Georgia Category:People from Boston, Massachusetts Category:Whitney Houston Category:MCA Records artists Category:Celebrity Fit Club participants Category:People self-identifying as alcoholics

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